Speakers for a Classe CA-201

You didn't mention how much you wanted to spend on new speakers nor if you have any pre-existent leanings toward any particular type of speaker technology. I myself have always been most satisfied by high-sensitivity fully- or partially- horn-loaded speakers. In this connection, I would urge you to audition a pair of Tannoy System 1200 (or used System 12 DMT) or System 15 DMT II. These are professional studio monitors which you can't buy in hifi shops; you have to go to a pro audio shop. They list for around US$5K but I've though my local dealer sells them for considerably. 90 degree point-source dispersion, 38-25000 Hz freq. resp. (though you'd swear it goes way lower), incredible macro- and micro-dynamics (the difference between sounding live and sounding canned), well-nigh perfect phase response, 98 dB sensitivity, 200 wrms power handling (400 program), the best cabinets in the business, unforgivingly revealing of source material, happy with both tube and solid-state amplification. They're not for everyone, certainly, though most audiophiles don't even know about them because Tannoy Professional only targets the pro studio market. However, I much prefer them, especially for the price, to the much more expensive Wilsons, Thiels, B&Ws, Dynaudios, etc. A lot of people don't understand that despite their high sensitivity, to accurately reproduce the full dynamic range they are best used with high-power amplifiers. Your Classe would work nicely. Vintage Tannoys are much better known and more sought after than the contemporary Professional line -- at least by home listeners -- and if you like that "warm", "smooth" sound so beloved of some tube aficionados, they're wonderful speakers, but if you want unforgivingly revealing accuracy in a speaker that can play quiet chamber music and screaming rock 'n' roll with equal aplomb, a speaker that'll make you shiver so overwhelming is the beauty of the music it transmits, except for the $30K Tannoy Westminster Royal, I can't think of a speaker that I'd recommend as highly. Hope this helps. Joel.

The reason I did not list a price was because I want a real assortment of suggestions. If I find a $10k pair that I can't live without, I will wait a while and buy them. If I find a $3k pair, I might just buy them tommorrow. Thanks for the recommendation Avadana, I will try listening to their pro line.

moving from totems for more bass extension likely means you'd greatly miss the imaging characteristics of a "monitor" -sized speaker. hence, i highly recommend AE-2 signatures. these have room-filling sound, are completely transparent and are eyepoppingly finished. alternatively, listen to the Avalon Arcus, or, if your budget can stand it, the Opus. i've owned both AE's and Avalons, among others, presently running Avalon Eidolons. both speaker "groups" love spectral.

Cornfedboy has an excellent point with respect to losing the excellent imaging of the Totem's while gaining the "body" and low end extension of a full range floorstander. With this in mind, why don't you give a listen to Aerial 6 and 7B. I'm using two Classe 151s as monoblocks and Aerial 6s-soundstage is huge-they image like lasers,(only 71/4 inches wide). I've heard the 7Bs with Classe-don't quite image as well and a little fat in the upper bass region for me-but it is the best selling Aerial model. There is a known synergy between the products-John Russell of Classe highly recommends Aerial,and Michael Kelly feels the high current Classe amps are a wonderful match for his speakers. Depending on your room size the 10T would fit in your price range- it has a big footprint though. Good luck.

I run nht 2.9's with a Classe CA-200 with great results. Excellent imaging and good low end.