2. amps-preamps
  3. 188282-170518

The new Coda S5.5 amplifier: It's a "Petite Beast"!

I have in-house the New Coda Technologies S5.5 amplifier for review for Stereo Times website. It will be awhile before I write the review. However, I'm so impressed by the performance of this petite amplifier, it only weights 45 pounds, that I wanted to give a heads up to you GON members if you are in the market for a balanced pure class A amplifier, delivers 50 watts @ 8 Ohms, and can drop 100 Amperes of current on a peak!

The world class build quality of Coda amplifiers is on display with the S5.5, along with the most beautiful purity of tonality, precise sound-staging, complete liquidity offered by pure class A design, and what might be the best top end regarding details, decays, and a natural shimmering without brightness or any edge at all.

The S5.5 uses extremely wide bandwidth output transistors instead of the usual TO3 devices used in most transistor designs. I own the Coda #16, which is great, but the midrange/high end is taken to another level of musical enjoyment with the S5.5. The S5.5 has a sense of speed/aliveness that is exciting to listen to that you experience in live music. The amp is dynamic as hell, has driven with ease any speaker I have tried it with, hence my nickname of the "Petite Beast". Remember, 50 watts pure class A, can drop 100 amperes of current and only weights 45 pounds.

Teajay (Terry London)

johnah5
kairosman's avatar
kairosman
247 posts
 

Yes I had a #8 and a CSIB and ended up with the S5.5 and agree with Terry it's the best of the lot, and by a considerable margin, at least in my system. Yet it is the cheapest amp CODA makes. I have it paired with an Audio Hungary Qualiton C200 tube preamp, and there is no musical genre the stack doesn't render faithfully, at least to my ears. 

Just now I finished listening to two tracks (via Tidal) that had me spellbound:

-Art Pepper's "Nature Boy" 

-Leonard Cohen's "The Night of Santiago"

The tonal verisimilitude of the acoustic instruments was breathtaking. Cohen's voice was so eerily "present" in the room, when I turned the lights back on I had to chuckle at my goosebumps.

The system is as follows:

Puritan PSM156 conditioner -> Melco S100 ethernet switch (fiber optic output) -> Lumin U1-> Gustard R26 w/external masterclock -> Qualiton C200 -> S5.5 -> Mofi Sourcepoint 10s (cabling is all by Transparent)

I sometimes prefer this setup to my main setup in the living room, where the amp is a Gryphon Diablo 300 running B&W 804 D4s, especially for small scale acoustical music.

Regardless, the point is IMO someone could build a killer system with the S5.5 at its heart for under $20K.

 

jaudio1
120 posts
 

Hi Teajay, thanks for the heads up on this CODA. How would you say it compares to the Pass XA-25 ? I know you mentioned in the past that you thought it was the best of the pass labs amps. Would a move from the XA-25 to the CODA be more of a sideways move or a step up in your opinion ?

jetter
2,952 posts
 

@jaudio1 

+1 great question.

ddafoe
237 posts
 

Does anyone know the damping factor for this amp?  I don't see it listed, but do see 200 listed for the no-8.    I had a Pass X250.8 and XA-30.8 (both listed at 150) and really liked them but didn't find either as good as a few other amps I've owned relative to bass control with the 30.8 being a little loose in the bass at times.  If the 5.5 has solid bass control it definitely looks very appealing for the $.   

johnah5 OP
219 posts
 

Hey ddafoe,

I did a review on the Pass Labs X250.8, excellent amplifier, and the bass control on all the Coda amps, including the S5.5, is much better controlled/dynamic because of the loading of 100 amps of current based on their giant power supply sections.

Teajay 

More to discover