Is it important to long demo or own HIGH END gear to have a fair accurate view about it?


I have heard a lot of opinions about high end gear on the forums but a lot of it comes from folks that don’t own it. They bash it because of the price. Which I understand on one end but many don’t own, haven’t long demoed or even heard a lot of higher end gear thoughts? Please no personal bashing just your opinion? 

calvinj

@ronboco 

It is 90 feet from the speakers to the first full length solid wall. The house is open concept. The media room is open to the kitchen which is open to the dinning room. At the front of the house you have my wife's office, the front entryway and the Fireplace/living room. Only the office and bathroom have doors. 

All I can say is that IMHE anytime an item is significantly superior from a purely sonic perspective I and the others I deal with seem to know it right away. I call it the wide eye sign. I just got it out of a friend who is taking the MiniDSP SHD off my hands when the DEQX arrives. I had to do something inexpensive when my TacT 2.2X died. I was already in line for the DEQX Pre 8. The Friend was interested in the MiniDSP as he can't turn up his system too loud because it is too bright and sibilant. He appreciates my system which never seems to be strained. I took the SHD over to his house and calibrated the system. I immediately got the wide eye sign when I kicked it in. He only had to audition it for 10 seconds. The MiniDSP is a bit grainy in my system. I think it is the inexpensive DACs. In his system it did fine. Benchmark Media Systems uses an SHD Studio in their demonstration system but with their own very excellent DACs and they say it sounds great. It is not the model of digital flexibility, but for $1400 who can complain?  

On the other hand most systems including mine have specific problems. Once the reason for the problem is found one has to come up with a fix. This is primarily the way my system has evolved over 60 years. Sometimes I am my own worse enemy by taking unnecessary diversions which turned into dead ends. The Apogee Divas were such a diversion. They sounded wonderful at first, but it did not take long for durability issues to creep in and the company rapidly got into trouble. I bailed out before they went under and returned to the ESL I should have never left. I have owned several turntables that turned out to be big mistakes.

@ronboco 

You bet Ron. Because of the subwoofer array and high crossover point (100 Hz) the ESLs will easily achieve concert levels. People think of Quads when you mention ESLs which were not the most reliable speaker going and by themselves not capable of serious volume levels. You can't hurt Sound Labs speakers. You'll saturate the transformers long before you can do any damage to the diaphragms.