300b lovers


I have been an owner of Don Sachs gear since he began, and he modified all my HK Citation gear before he came out with his own creations.  I bought a Willsenton 300b integrated amp and was smitten with the sound of it, inexpensive as it is.  Don told me that he was designing a 300b amp with the legendary Lynn Olson and lo and behold, I got one of his early pair of pre-production mono-blocks recently, driving Spatial Audio M5 Triode Masters.  

Now with a week on the amp, I am eager to say that these 300b amps are simply sensational, creating a sound that brings the musicians right into my listening room with a palpable presence.  They create the most open vidid presentation to the music -- they are neither warm nor cool, just uncannily true to the source of the music.  They replace his excellent Kootai KT88 which I was dubious about being bettered by anything, but these amps are just outstanding.  Don is nearing production of a successor to his highly regard DS2 preamp, which also will have a  unique circuitry to mate with his 300b monos via XLR connections.  Don explained the sonic benefits of this design and it went over my head, but clearly these designs are well though out.. my ears confirm it. 

I have been an audiophile for nearly 50 years having had a boatload of electronics during that time, but I personally have never heard such a realistic presentation to my music as I am hearing with these 300b monos in my system.  300b tubes lend themselves to realistic music reproduction as my Willsenton 300b integrated amps informed me, but Don's 300b amps are in a entirely different realm.  Of course, 300b amps favor efficient speakers so carefully component matching is paramount.

Don is working out a business arrangement to have his electronics built by an American audio firm so they will soon be more widely available to the public.  Don will be attending the Seattle Audio Show in June in the Spatial Audio room where the speakers will be driven by his 300b monos and his preamp, with digital conversion with the outstanding Lampizator Pacific tube DAC.  I will be there to hear what I expect to be an outstanding sonic presentation.  

To allay any questions about the cost of Don's 300b mono, I do not have an answer. 

 

 

whitestix

 

 

Hi Lynn,

In my SET amplifier is IT coupling between driver and 300b and RC between an input and a driver stages.

I think I understand why the tone issue appeared. I played with driver tube B+ voltage and current. The cathode resistors 680 Ohms weren’t changed. The driver is 6f6 in triod mode. In begging, the idle current was 20mA. Then I increase it to 23mA and then to 26mA. So, in the middle setting 23mA, the sound character was faster and rough with flatter musical instruments tone. With 20 and 26mA, the amplifier sounds more like SET, the tone is more reach, and speed is more realistic and natural.

 

 

 

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Has anyone that is using Linlai E-6SN7 tubes in 300B amps found them to be noisy? Kind of like a ground hum but not very loud. The system was quiet with the previous RCA VT231 tubes. Sorry if I'm off topic a little. They were favorably mentioned here so I gave them a try. Thanks.

On Don Sachs' recommendation, I have been using them both his preamp and amps for quite a while.   Nothing but... dead.... silence. 

@whitestix  remind me, does Don use DC heaters as part of the strategy to get "dead silence"?  thanks.