A Black Box to Solve Everything


Tubes vs. solid state?? There's a thread out right now about this exact question (there always is), but I didn't want to take it off subject. So my question is; is there a device that could go between the preamp and amp that has variable harmonic distortion capabilities? I know there are tube buffers, but they are not really addressing the point because they use line level signals and don't have the distortion of a good 300B tube being pushed beyond its limits. My thinking is that of a black box with switches and knobs to adjust harmonic distortion to mimic different tube types. It would also have to have a bypass switch so we could readily and quickly A/B the thing. Any ideas?

koestner

Who wants their hifi rig to push a 300B to distortion? Hmmm...Pass is into "tube like" sound as illustrated by his XA-25. I have one and it sounds great but not particularly like tubes to my ears...I switch between that amp and a Dennis Had SEP.  SS guitar distortion pedals into a tube guitar amp can sound amazing. I have various ones including my old 1980 ProCo Rat that is my fave...a supposed magic Motorola LM308 transistor is the key to that tone.

I guess you could try a unity gain tube buffer which is normally used for impedance matching between components, I remember reading somewhere there was even a SS device which emulated the 2nd (and others?) harmonic of a tube and the distortion (magnitude of harmonic) was applied in variable steps. I can't recall where I have seen it, I will have a search.

Such digital signal processors already exist.   I've seen them and used them.   They can mimic tubes, all sorts of distortion, and create a unique sound in many ways:

The secret of the perfect sound

I'm not trying to be a wet blanket here, but why would I add another component in the chain? I happen to own multiple tubes, so play what you have, and be happy! JMO.

For you DIYers, Ethan Winer provides directions on how to build his Mojo Maestro box, which he states is: "...a simple box that can add distortion ranging from very subtle—to add a little grit to a sterile sounding instrument track or to help “glue” a full mix together—through severe clipping to add “mojo” or “dirt” to any musical source that will benefit. The Mojo setting also switches in a capacitor to gently roll off the highest frequencies to counter the added buzziness. With gentler settings, the overall effect is similar to running music through a tube amplifier or an analog tape recorder but without the added tape hiss and flutter.": https://audioxpress.com/article/you-can-diy-build-the-mojo-maestro