Does anyone know where this J. Gordon Holt comes from?


Interviewer: “Do you see any signs of future vitality in high-end audio?”

JGH: “Vitality? Don't make me laugh. Audio as a hobby is dying, largely by its own hand. As far as the real world is concerned, high-end audio lost its credibility during the 1980s, when it flatly refused to submit to the kind of basic honesty controls (double-blind testing, for example) that had legitimized every other serious scientific endeavor since Pascal. [This refusal] is a source of endless derisive amusement among rational people and of perpetual embarrassment for me, because I am associated by so many people with the mess my disciples made of spreading my gospel. For the record: I never, ever claimed that measurements don't matter. What I said (and very often, at that) was, they don't always tell the whole story. Not quite the same thing.

Remember those loudspeaker shoot-outs we used to have during our annual writer gatherings in Santa Fe? The frequent occasions when various reviewers would repeatedly choose the same loudspeaker as their favorite (or least-favorite) model? That was all the proof needed that [blind] testing does work, aside from the fact that it's (still) the only honest kind. It also suggested that simple ear training, with DBT confirmation, could have built the kind of listening confidence among talented reviewers that might have made a world of difference in the outcome of high-end audio.“

fusian

I was looking up something else and this turned up in my search results so I thought I’d contribute. My dad (JGH) was all about wanting to re-create the live listening experience at home, but he had enough knowledge of acoustics to know that it would never be the same as being in a concert hall (he actually wrote a textbook about the science of sound back in the 60s). As he got older he became more interested in recreating the movie theater experience at home. I remember when Tony Grimani from Lucasfilm came to our house to set up one of the first home THX systems. I remember watching Terminator 2 with the volume so loud that it knocked over his martini glass! 
 

My dad was definitely a bitter and acerbic individual, but his sarcasm and wit was appreciated by his friends. I know that one of the things that my dad was most frustrated about was that when Stereophile was sold to Pearson, Larry Archibald and John Atkinson both got extremely well paid for it and my dad got nothing. From a business perspective it made sense, as he was merely a “contributor” at that point, but he felt that Stereophile capitalized on his image without ultimately rewarding him. Keep in mind he sold the magazine to Archibald for only a few thousand dollars (paid in cash!) back in the 80s, and although he tried to start many new projects (such as Laserfile magazine—I believe Laserphile was trademarked), his lack of focus ultimately doomed them all to eventual failure. 

I think all I have left of my dad’s audio legacy at this point is a box full of audio cables and some old magazines. The rest was sold to settle his estate. I may have to sell the magazines off soon to pay my own bills, as life has gotten complicated. 

Thanks for the walk down memory lane with this thread. 

I know that one of the things that my dad was most frustrated about was that when Stereophile was sold to Pearson, Larry Archibald and John Atkinson both got extremely well paid for it and my dad got nothing.

Sorry to hear that your dad was treated this way by people who owed their positions to him, @jcharlesholt . It seems that nothing trumps money in our value system.

Thanks for sharing the info about your father, Charles. And sorry to hear about the realities of the biz. Best wishes.

I ran in to him on an elevator at a Stereophile Audio Show in West LA in the late 80's.  The only thing I remember about the ride was the smell.  Very bad personal habits.