Lyra Atlas experiences


A few years ago, I invested in a Lyra Atlas cartridge / pickup. I have moved up, from Lyra Clavis in the early 2000s and Lyra Titan i later. The Atlas was expensive, but I have not looked back. Yet I wonder, can something more be done, to optimize the Atlas, in my system, and others. How can this remarkable pickup run its best. What are the best phono preamp and system matches. Should the system be rearranged. Have anyone done mods or DIYs to their systems to get the "reception" right? What happened? Comments welcome. You dont need to own a Lyra Atlas but you should have heard it, to join this discussion. Comments from the folks at Lyra are extra welcome - what is your experience.
Oystein
Ag insider logo xs@2xo_holter
In an effort to rescue this thread and bringing it back to topic - any experiences to share with the Lambda versions of the Atlas, i.e. the Atlas Lambda and Lambda SL?

Considering moving back to a Lyra with the Atlas after some early experimentation years ago with Argo (i), Delos, Linn Kandid. 
I have not heard the Lambda versions of the Atlas (or other Lambda versions of the Lyra models). What I know, is that the standard Atlas that I got from Lyra in 2018, after an accident with the 2013 model I had before, sounds great, and works perfect, with zero problems so far. Just keep the stylus and records clean. Expensive? Yes, but for a daily joy for many years, it becomes worth it.

I took delivery of a Lyra Atlas Lambda SL about a week ago. I have about 35 hrs on it now (I can’t be dragged away from it….LOL). I waited five months from the time I ordered.

I am using this with a Clearaudio Ovation and Universal arm, with a Naim Superline/SupercapDR phonostage into a Naim 252/SCDR/300DR with Dynaudio Confidence C2 Platinum speakers and a pair of REL S/510. 

At the moment I am tracking it at 1.65 gr, and I have been tossing back and forth between 453Ω and 470Ω for loading. I think anything much less than 453 will be dull and 500+ might be too lively (560 has been recommended to try). I mostly listen to jazz and classical and I tend to like 470Ω better so far for most jazz, but some classical sound better at 453Ω. I think the latter because some classical (especially late-70s and later DGs) were mastered too bright. Karajan’s awful influence maybe. 

I’ll think I’ll start adjusting VTF a little and see what that does, but at the moment I can live with it all the way it is. 

This cartridge is truly delicious and very special. I was using a Dynavector XV-1s before. The Lyra has everything good it had but takes everything to a new level of nirvana. What an amazing accomplishment.

@dwette , I ordered mine about 5 months ago and still do not have it. If you hang on I'll give you my impression because I am sure I will get it shortly as they make their models in short runs.

You want the top of the cartridge body exactly coplanar with the record surface. The best way to do this is with the Wally Reference tool. Use the loading Lyra suggests or even better get a current mode phono stage.  

You have an excellent turntable. It needs to be on an isolation platform like a MInusK (the best). If you do not have one already you should get a reflex clamp like the one Sota makes. Michell also makes one.  

@mijostyn Thanks for the suggestions, but they have all been addressed. I have already adjusted azimuth, using an acrylic gauge and confirmed with my Fozgometer (which should always be run with a fresh battery for accurate results). Lyra suggests setting loading by listening with ear: they don’t specify a value for it, because that varies with tonearm cable and phonostage used. In any case, my Naim Superline phonostage is quite up to the task of what this catridge has to offer.

My turntable is on an isoAcoustics Delos, and I use both an HRS 850gr clamp and Clearaudio’s 1500 gr outer limit ring.

I’ve got it all covered, thanks. I’ve been around the block a few times. :)