If you had $12k / £10k to upgrade your analogue front-end...


Hi all,

I am upgrading my system in my listening room bit-by-bit. This room is for focused listening of music only. No movies. In the future I will be looking looking to upgrade my analogue front-end and am thinking of a budget of around $12k / £10k for a turntable, tonearm, cart and phono stage/pre-amp. I listen to all sorts of music from electronic, bass-heavy vinyl, jazz, hip-hop, rock (new and old), ambient (Cinematic Orchestra, Nils Frahm etc...) and lots of soul/funk type tracks. So quite varied.

If you had $12k/£10k to spend, what combination of turntable, tonearm, cart and phone stage/pre-amp would you go for? I'm looking for suggestions to help with my research. I'm unsure what the balance should be between them. For example, should I go for a Rega Planar 10 with Aphelion 2 cart (£6,840) and give myself just over £3k to spend on a phono stage. Or spend less on the cart (Rega Planar 10 with Apheta 3 is £4,950) and get a more expensive phono stage.

Turntable brands I've been thinking of are Rega, Clearaudio, Technics, VPI, AVID, Thorens, Michell Engineering, VPI, SME etc... but don't really know where to start.

Any help would be much appreciated.

 

cainullah

A suggestion. A step-up transformer for a moving coil cartridge is a ridiculously easy way to get into DIY.

The finished boxes that you see often contain little to nothing more than a raw step-up transformer or two (Sowter (UK) makes a good one, Lundahl (Sweden) makes many good ones, and there are others that I haven’t tried) which cost maybe 200 - 300 GBP. Add some inexpensive connectors (XLR from Neutrix, RCA from Switchcraft) and a box, and mount the parts in the box, and you have something which competes with the big boys. You don’t need to switch them - it’s better if you don’t - just follow the manufacturer’s recommendations for hook-up and you’re done.

Most people think, OMG, it’s magic, the pros know all this stuff that I don’t, so I can’t do anything. This is a mistake. The pros do know lots of things, and one of them is, that manufacturers give detailed instructions on the use of their equipment. They are often called ’Application Notes’.

A pro would never think of using something like a transformer without looking at an application note, or at least an explanatory drawing (called a ’schematic’). Why not call up Sowter, explain that you want to build a SUT for a MC, and ask for their advice? I found them very helpful when I did that 10 years ago.

What have you got to lose? Are they going to take away your corner office?

The technics SL1200G is excellent for the price. I managed a comparison with a Rega 10, I preferred the direct drive.

I did have a very expensive Vinyl set up with a Kuzma XL dc and 4pt arm which I had to sell due to moving house. The Technics matches the Kuzma in many ways maybe not quite as expansive or powerful but more accurate tonally and that is with a lesser cartridge.

Having owned a range of phono stages (ypsilon, AR, BAT etc) I believe the phono is as important as the TT.

I have heard good things about the Dias.

Isolation of the TT is very important.

However I would not bother with vinyl if starting out now as my digital sounds so good.

Just read a Stereophile review of the 1200G (prompted by dctom's post) and saw mention of an aftermarket mat that I was not aware of.

Changing the mat would be a good place to start with the OP's current setup.

I have (Thorens TD125 MkII/SME 3009 II non-improved) an OEM rubber mat, a 100% wool mat and a DIY cork spot-mat all of which change the sound in my system.

I generally prefer the spot-mat, but the wool mat works well with brighter sounding LP's.

The one mentioned in the review is a spot-mat design.

 

DeKay