WTF? I started reading this thread and it wanders off into some bullshit crap that has nothing to do with the tonearm in question. Talk about thread crapping!!
Micro Max 282 vs. Exclusive EA-10
I have mounted an Exclusive EA-10 on my Micro (I added a pic to my system), one of the most expensive Japanese tonearms, maybe a little underrated. The tonearm and the tubes are re-wired by Ikeda silver wire. The EA-10 reminds me very much of the Max 282, most properly it was built by Micro Seiki. Does anybody know if this is true?
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Hi all, I would like to resurrect this thread from the good ‘old days as I recently acquired an EA-10 complete with dedicated AX-6G armbase to go on my Micro RX-1500. It’s the final instalment to a quartet of arms including Audio Craft AC-4400, Micro MAX-237 and FR-64S. My question concerns the oil damping and is directed at folks who have personal experience with this tonearm. Maybe @thuchan @rauliruegas @syntax @dover if they are still around? Or anyone else perhaps? Before I make an effort to find the correct damping fluid I’d like to know if this is worthwhile or perhaps even necessary to get the best performance from the EA-10. I’ve learned that the use of damping is not always clear cut. While it is mandatory with the AC-4400, I definitely prefer the MAX-237 without damping. So what is your verdict on the EA-10: to be damped or not to be damped? |
@downunder has been running a Pioneer P3/EA10 for some years. You might try to PM him. I found this on the web ..
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@dover thanks for that info. The EA-10 came to me with EP-03 straight armpipe only. I would like to find the S-type armpipe as well, in order to make cart rolling more convenient and also to be able to use integrated headshell cartridges like SPU and FR7. I know the S-type is much harder to find than the straight armpipes, but if any of you have a spare one lying about or know a reliable source, please let me know. Thanks! |
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