Changed subs from speaker level to XLR after many years. Wow!


Quite a number of years ago I started using the speaker level input for my Velodyne (glad to see them back in business) DD10plus subs. At the time I had been reading that REL recommended this method, and having a new set of BHK300 amps, I decided to hook them up via a set of dedicated short speaker runs. At the time I thought it sounded a bit fuller and left it that way for many years.

The system hasn’t changed drastically, perhaps the addition of a Niagara 7000 power conditioner, but definitely new Directstream firmware (more articulate bass) tube/socket cleaning, the addition of EtherRegen, and recently cat8 ethernet cables that’s surprisingly filled out the entire lower range of the system.

This last change made me wonder what the subs would sound like going direct from my preamp’s extra XLR outs.

The change to XLR is pretty significant. Aside from just getting the lowest octave (subs come in at 35hz) I’m getting an entire lower ambience of the room, which I wasn’t fully getting previously in the large, close to double height space. Everything is more fleshed out.

The other thing is I noticed the sub’s cone moving differently. Touching the sub’s rubber surround, (through a cloth to avoid oil transfer) the servo woofer’s vibrations were now More distinct, lower and more controlled, less buzzy.

These last 2 changes, cat8 and line level for subs has opened up a huge subterranean environment, and I can’t wait to listen to the system again tomorrow.

The cumulative effect is pretty powerful and has taken my system to yet another level of realism.

Again this supports the idea diminishing returns can be counterbalanced by setup and tweeks that change the curve, and pay off dividends later. I guess what you’re paying for with more up priced gear is potential.

 

 

 

 

 

 

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Connecting a Digital Drive using line-level RCA and speaker-level allows the sub to be used with a two channel and a home theater system, just not at the same time.

Connecting line-level RCA and speaker-level can aid in filling in the missing mid-bass in single systems with thin mid-bass. The Duel Connection Optimization procedure in the User's Manual is slightly different. 

Velodyne's professionally unreviewed Frequency Response and Parameters Screen in the redesigned DD Plus is on a whole other level of user friendly subwoofer specific Optimization than most any other low frequency processing subwoofer that I'm aware of. The DD connectivity flexibility is another notable feature. My two DD-12 Plus' are in their twelfth year of remote controlled fun. 

If you decide to add a second sub using XLR cables are perfect for very long runs wherever your rooms other bass mode location may be. Enjoy. 

While REL Acoustics (a favorite sub of many audiophiles) is a well-known proponent and champion of speaker-level connections, Brian Ding of Rythmik Audio---who also offers models with provisions for speaker-level hookup---prefers and recommends a line-level connection.

Interesting about Rhythmik’s suggestions.  One of the things I noticed yesterday was that turning on the subs (via XLR) caused even higher guitar notes to sound fuller and more in the room.  Listening to the quieter tracks of David Crosby’s if only I could remember my name, was probably the most realistic portrayal of live musicians I can remember hearing.  

I agree that the speaker level connection may not be optimal for all systems. IMO tube amps may benefit the most. Plus with Roon one has the ability to easily do a high pass on the main speakers allowing the sub to be dialed in at higher frequencies. 

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