Tannoy anyone? Cheviot Legacy vs. Stirling GR


Good Morning and happy holidays,

Having just spent a day over at my friend's new listening shack/man cave with my Leben driving his Tannoy Stirlings, I fell in love and am thinking I might just need a pair myself. So, I could use a little help deciding between the Stirling GR's and Cheviot Legacy's and am curious if any of you have experience with both and what you hear/feel is the difference between the two.

If it helps, I listen to a pretty wide variety - mostly singer songwriter, alt country, some classic rock and jazz. A little hiphop, no metal and very little classical.

Thanks in advance for your insights.

 

 

budburma

Thanks for that @mulveling - I'll take it under consideration before tossing out the baby with the bathwater. My friend down the street w/Stirlings just told me he went through a similar experience, but blamed his midfi ss amp (probably not too far off the mark there!). He wandered around the hifi gear desert for long enough that by the time he circled back to Upscale for a PrimaLuna integrated, the speakers had settled into the pocket. 

So, I have some new confidence that time is the antidote. Joni Mitchell Blue sounded pretty good last night - better than previous anyway. Granted, the treble energy is dialed as far down as it can go and they're still wired to the LF and jumped to the HF, but the grit was definitely downd and heading in the right direction.

I have a pair of AZ Hologram II biwire on the way that might also help simmer things down.

It's also good to see the evolution of your loft space - my room is similar old world construction and 14x15x10 -  and dream of some Kensingtons. They look fine! If the house were mine and mine alone (but "it's his, his and hers alone"), the Canterbury could just ride....

I zero interest in China hifi product. Those UK Whig guy tax themselves belly to chin and charge through the sole of feet so not crazy about deal with those guy either but no China fi 

Omystarsandgarters. So much for the understanding of those who believed they were "in the know". I wonder when that is supposed to have started. And, sort of, if the splitting of the lines for production holds any water - or consequence, really. Maybe the supposed Polish factory would also be problematic. Sigh. Such a bummer...

 

As a follow up, after 100 hours or so the Stirlings have calmed down quite a bit. Still tough for moderately long listening and I'm pointing my finger at my source....although the same defect is true with both my digital and vinyl. Finding time to play at moderately loud volumes is a little hard around here, so break in is slower than I'd like, but Acoustic Zen Hologram II biwire helped (they are breaking in as well). I've been able to move the treble energy to -1.5, so that's moving in the right direction anyway. They are more musically involving (for me) than my Devore which seemed to check off a lot of boxes and were much better in many ways, but left me at a distance. An audio friend described them as "fauve" and I think that fits.

I'm going to stick with this for now and am considering a full reconstruction back to SS and inefficient speakers - like Gamut or Plinius power and Supratek Pre driving Dynaudio Confidence 3 or 5. That's my most familiar ground and sticks in my memory as a sonic delight.