Owning the speakers you dreamed of 20 years ago


Does speaker technology really change that much?  As I'm listening to my Klipsch Heresy's in a bedroom setup, I decided to look up to see what $3k or so could buy me today used and was shocked to see the speakers I used to drool over, when I was done looking at the Sports Illustrated Swimsuit Edition ;), were available for a quarter or less of the money.

Revel Ultima
Sonus Faber
JM Lab Mezzo 

And more, are all available to buy used.

Seriously these were speakers I would daydream about.  How do they sound today compared to a speaker that you would spend $3k on new or even a few years old?  How could these $10k speakers from a time I can still remember, really sound like a $3k speaker?  My Klipsch's remind me that speakers even older and cheaper are irreplaceable to me, so why wouldn't I spend $3k for one of my old heroes?

What am I missing here?



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edgyhassle, did the Townshend bars make a big difference when you put them under your speakers?
Almost 50 years ago my salivate and drools were Klipsch Cornwalls; fast forward to 2021 when I had the spousal ok for Cornwalls, but decided on Forte IV's due to room size constraints (and am getting the best sound ever from my vinyl rig).
My Monitor Audio Studio 50's were 20 years old last February !!!, now used with Townshend Super Tweeters and resting on Townshend Seismic Isolation Podiums. Ideal for my small listening room, really pleased with the sound.
 How could anyone say speakers haven't changed?? They are so much better now.
over the past year, despite having a couple enduring faves on hand for many years (the spendor sp1/2e as well as the harbeth shl5+) i went out and found nice condition pairs of the spendor bc1 as well as the original sp1, just to compare and contrast - these being seminal/original 2 cubic ft bbc heritage designs by spencer and derek hughes

it has been thoroughly enjoyable lightly rehabbing and enjoy these wonderful wonderful speakers again... yes they have their weaknesses (easily sidestepped, btw) but their enormous strengths in midrange tonal purity, natural unfatiguing presentation of bass and treble, and overall tactility have been just a pleasure to experience again, after so many years