High end Class D amps?


Just an observation and a question. Are there 'high end' Class D amps out there that are just as good as Class A, A/B amps? I realize that's a sensitive question to some and I mean no disrespect---but whenever I see others' hifi systems on social media, all of the amps are A or A/B. There's always Pass, McIntosh, Moon, Luxman, Accuphase, etc. Where are the Class Ds? For folks out there that want more power for less efficient speakers and can't afford the uber expensive Class As, A/Bs, what is there to choose from that's close to those brands? Thanks
bluorion
tvad:" @noble100, what module is used in the D-Sonic amps? Do you know? I went to the site, and did a quick internet search and could not fine the info. Apparently in the top of the line model it’s not an ICE module."   

Hello tvad,

     My D-Sonic M3-600-M monoblocks are over 6 years old now and are their previous model.  Mine use Abletec/Anaview class D modules.  Their latest M3a-600-M monoblocks are the same price but use Pascal Pro2 modules, that have switch mode power supplies incorporated into the module.  I believe these are the same modules that Rowland utilizes in their Continuum S2 integrated amp.
     D-Sonic's owner, Dennis Deacon, told me when the M3a-600-M monos first came out that he thought the Pascal Pro2 modules subtly outperformed the Abletec/Anaview modules in my M3-600-M amps.
     I know D-Sonic's top of the line monoblocks have gone through several upgrades and corresponding model number changes over the past about 6 years since I've been aware of them; from the M2-1500-M to the M3-1500-M to the current M3a-1500-M models. 
    Sorry, I'm not certain about the specific modules they used in each but I do believe they haven't used Ice modules in their top of the line monos for at least 6 years, if ever.  I'm fairly certain, however, that Dennis Deacon would give you the details if you called and asked him: 800-862-7998.

Later,
 Tim
The Lyngdorf TDAI 3400 is the best amp I’ve heard for the money, with Room Correction built in too. Truly superb.
I’m currently running an Aavik U-380 integrated. It replaced a great set of A/B mono blocks because it has all the warmth of the A/Bs coupled with all of the previously mentioned Class D benefits too. Class D has clearly turned the corner in my opinion. 
Fellow Aavik user here. A really articulate and rich sound. The DAC and Phono stage are stunning too. Ditched my £6000 phono stage as the Aavik was clearly better.
I’m in the amps sound similar camp, especially after doing my own blind testing (which was a revelation).  I think the Ncores and Purifis have essentially solved any deficiencies.  But one thing I will certainly concede: an underpowered class D amp is a horror show, and you probably need more rated power (since the D amps are not rated on continuous power like AB).  But these more recent modules have plenty.  I use an NCore module design with my Harbeths and it works beautifully.

One thing I find reprehensible is the way the big names have added all kinds of tweaks to Putzeys’ design (op-amps, power supplies) that are completely unnecessary, or even cause spec deterioration, so they can charge more.  Even his own Mola Mola seems gratuitous.   A clean custom-build, like March Audio, is much cheaper and arguably better-performing than the more expensive name brand versions.  Of course you give up the credit behind the warranty (Alan March is a one-man band), but you could get twice as much amp for the money, and Alan’s been around a while.