What tube pre-amps pair well with Pass amps?


Does anyone have experience with this?  I'm running Focal Sopra No. 2s and I understand the Focal's pair nicely with Pass amps.  Any tube pre-amps you'd recommend for consideration? I like the classical rock, but am gravitating more to jazz, classical and vocals. I just want to try something new.  Thanks.
billtro
Hi cal3713

Just to set the record straight, Kent English works for Pass Labs in an administrative capacity, Wayne Colburn designs all of their line level preamps and phono preamps. Take care.

Scot
@scothurwitz Thanks for posting that. My mistake actually just occurred to me yesterday and I was going to hop on to correct the error. Always great to make a mistake like that while correcting someone else's. Much appreciated. And apologies to Kent and Wayne for the mix-up too.
I have used ARC Reference 3 with SMc DNA 1 with great success. So, ARC Ref 3, 5, 6 and the SE versions should do very well. Perhaps other 6H30 tube pre's would do as well, like BAT for example. Be careful with impedance matching. PASS are terrific amplifiers for your stated purpose. Good luck. Enjoy.
One thing about balanced operation is that it is meant to help reduce the effect of the interconnect cable. If you've ever auditioned interconnect cables and heard a difference you know what I'm talking about. Audio engineers frequently poo-poo the idea that cables can make a difference, but they are using balanced lines and equipment that supports the balanced standard so they can come that conclusion not realizing that they are talking apples and oranges.

But Pass Labs are balanced input, so if you want to get the most out of both the amp and not have the cable be a big system influence, your investment in the amp will be best served by a preamp that supports the balanced line standard (also known as AES48). Not surprisingly, most high end home audio equipment does not support this standard! That is part of the reason there are exotic and exotically-priced interconnects (balanced cables need not be expensive to sound really right). Its a simple fact that if the preamp does not support the balanced standard, the interconnect cable will be part of the hidden cost of getting the system to sound right.

In a nutshell, here is the standard:
1) pin 1 is ground, pins 2 and 3 are the signal; pin 3 the inverted form of pin 2

2) The signal does not reference ground (instead pin 2 references pin 3 and vice versa) as that can cause a ground loop. This practice also means that the shield of the cable is not used for anything other than shielding and so in this way is fundamentally different from single ended connections!

3) the preamp should be able to drive low impedances with ease and no loss of low frequency bandwidth. 'Low impedances' means less than 5,000 ohms.
If the preamp cannot do these things you'll be hearing cable artifact and you simply won't get everything out of the amp as a result.




Hay Atmasphere, thanks for bringing that point up.  May I respectfully ask for the names of some pre-amps that meet AES48?  As you can see, I'm on a steep learning curve and I know I have a lot of work to do, so any further guidance/direction is appreciated.