What tube amp for Harbeth 40.1


I am looking for a tube amp for Harbeth 40.1.  I know many suggest SS amp such as Accuphase, Luxman, Hegel, McIntosh ... etc for Harbeth, but I decided to keep it with tube.  I also don’t think I need a lot of power.  I currently have a 8W custom built 300B and had a 18W Almarro 318B, and to me, they sound fine.  However, I think more power will help, and I never know what I missed until I try it out.  Having said that, I don’t think I need crazy power.  Anything 30-80W is good enough for me.  I am 3m away from the speakers, listen to Jazz at avg 83dB.

i have the following short list:
1) PrimaLuna Evo 400 integrated
2) Leben CS600X 
3) Linear Tube Audio Z40

Which one do people like with Harbeth?  Any other suggestion?

Among all qualities, I value holographic presentation the most.  I really like the feeling as if the singer is floating in front of me, if you know what I mean.  And my current 300B do pretty well in this regards, and I read this is what SET amps are good at.  Will I be disappointed with the above?
Thanks.
gte357s
I watch that video, it is interesting.  But I have a question.  Is it really the speaker drawing power?  I don’t think the speakers draw power, but it is the amp pushing power, right?  
I have a question. if we play the same music, volume knob at the same level, to a more sensitive speaker, will it display that it is pushing the same 750W power? 
The amp makes the power and the speaker draws the power it can based on its impedance and the voltage that the amp makes. So for a given voltage, if the speaker draws one watt and its impedance is 8 ohms, into 4 ohms it will draw two watts if the amp is making the same voltage. Its a mathematical relationship.

Regarding the more sensitive speaker question, if the impedance is the same the power will be the same. Now the thing about more sensitive speakers is if the impedance is 8 ohms or more, the amp will not have to work as hard to make the same sound pressure level and usually will make less distortion. If it makes less distortion, it will sound smoother and more detailed (since distortion can mask low level detail). Now solid state amps in general tend to make higher ordered harmonic distortion compared to tubes, and so tend to sound bright, even though that distortion is fairly low. The reason we perceive it as bright is because the ear uses higher ordered harmonics to sense sound pressure and is thus keenly sensitive to their presence. It is this simple fact that is why tube amps are still around.


The reason solid state amps tend to sound bright is that usually they don't have *enough* feedback (some get around this by having none at all). Its pretty hard to design a circuit that allows for really high amounts of feedback (+35dB). So most simply don't. The result is that the application of the feedback itself, while suppressing some distortions, actually adds some of its own (which is almost entirely higher ordered harmonics; that which is not is IMD and both are very audible). Unless you can get over that 35-40dB range, this will be a problem, and its been a problem in solid state design since the inception of the transistor.


To get around this problem, many solid state amp manufacturers have resorted to a simple technique called 'lying'. But our ears don't lie- we've been hearing brightness and harshness in solid state amps for the last 60 years; that is why tubes and tube amps are still around decades on from being declared 'obsolete'.



My solution was to use a 300B Lampizator DAC to power a 500 watt Sanders SS amp =holographic tube magic with snappy transients and wide dynamics.
Read Allen Shaw's various essays on power requirements for the Harbeth 40 series. He advocates high power needs and presents demos to prove his point. I personally use Classe CAM 200 mono amps in conjunction with a Conrad Johnson tube preamp to drive my 40.1's and the sound is stupendous
go get an ARC VT100 mk3! works great on mine! My REF110 is not as good on the M40.1s.