Is there a Solid State amp that can satisfy a SET guy?


Have been a SET guy for so long I have forgotten what a good SS amp even sounds like.
Just bought a pair of $33k speakers that will replace my current $16k speakers. Both are from the same designer and both are 92db and a flat 8 ohms. The new ones arrive in 4 days!
My 300B based amps well drive my current speakers even though I do use the system nightly as a 2 channel home theater. Especially considering the HT usage, I think I may enjoy a SS amp with many times the horsepower. The speaker designer suggests using a Leema Hydra II. I have written to Leema telling them of my 300B preference and they assure me that their amp does not have the destructive harmonics that make a SS amp bright. There must be other SS amps that can satisfy?
mglik
I use the Pass XA25 with my 94 sensitivity Tannoy FSMs.
Sold my Cary to move this direction after an audition.
It is better than any of the First Watt products. Not sure
why but the doubling down from 8-4-2ohms may be it.
Tried Sudgen Masterclass- not engaging, Leben 600-
good but not better, Lejonklou- now here is an interesting
line I would like to own as a change of pace item. 
In the end Pass adds his "House Sound" to this amp
and I find it to be very addictive with the Tannoys.
Does anybody know why the settings symbol shows in my posts? Sorry for being off-topic.
@mglik You might take a look at my system page (here on agon)... I went through this exact same journey when transitioning from Coincident Super eclipse III's to Coincident pure reference extremes. Had the 8w Coincident Frankenstein 300b set monos and adored them, but they just couldn't power the PREs. I tried a Lyngdorf tdai-3400, pass labs xa-25, and atmasphere m60s, but couldn't give up the Franks. Then I got a pair of first watt f4s and finally found my replacement.

The f4s are unique in that they are a very simple circuit that has no gain stage and only add current to the signal. They are very transparent and just sound like whatever you use to drive them. That can be a traditional preamp (i use a 6sn7 based pre), or even the output of a low wattage set amp. I find the f4 mono blocks to be very clear and quiet, with an amazing holographic soundstage, and a touch of beautiful sweetness. I had planned on using the f4s as booster amplifiers being driven by the Franks, but loved them by themselves and ended up selling the SETs.

As a slight aside, over the course of my amplifier journey I have become convinced that I prefer amplifiers that have a distortion characteristic that is dominated by the 2nd harmonic. That is true of SETs and the f4, but not of the xa-25 or m60s, both of which are 3rd order dominated.