Audio Kinesis Swarm Subwoofer Awarded 2019 Golden Ear Award by Robert E. Greene

Hello davekayc,

     Are you stating you're using 2 Greg Timbers designed 12 cu.ft.  sub cabinets with an18" JBL 2245h driver in each as DIY main subs and you're also using 2 JBL sp-150 subs for a total of 4 subs in your room?
   
Thanks,
  Tim  

Thank you all for the information provided. I have two Syzygy SLF 870 12" subs, matched to Emerald Physics EP 4.7 open baffle speakers. I am interested in the Audio Kinesis Swarm concept and have a question. The subs have an eq function which works well, but only independently. In other words, I can't set up one sub, and then use equalization on the other sub taking into account the bass output of the speaker and other sub. Is it better to use both subs without the room eq, place them in different locations and adjust the individual crossovers and output level by ear? Equalizing them independently doesn't seem to be consistent with the "swarm" concept. I am having trouble integrating the subs with my EP 4.7s, which are running full range. Thoughts? 

Yes Tim 
two 18” and two 10” .  In front of the 18s requires no augmentation from the 10” Its what they do for the rest of the room. By having them faintly adjusted so they are invisible to point at, creates sort of a swarm effect in areas that felt outside the sweetspot . More like you were at a live cabaret setting or even small concert venue . You are standing outside of the listening center or the imaging of left and right but none the less placed in the middle of the venue.  The listening chair  is dead center of the room in every way aimed at the middle of a 56 x15 wall . Kitchen to the far rear left bar to the far rear right . So i still have the makings of a “swarm idea” i just do not have all the subs running at the same output as the fronts .The effects of that would be undesirable for the rest of the room. They are connected to output 2 on my c46 . I can shut them on and off from my chair. I will try them adjusted up to reach the center seating tomorrow and report back. Tonight i played test tones with tidal to see how different frequencies acted in the room. 
Most every frequency had a standing wave in a slightly different location from each other . But most landed where i had each of the rear subs. (Rear subs off )  sound right to you tim ?  Felt like i should be putting them in the obviously quiet spots . A couple spots would almost cancel out. 

Hello c_morris999,

     The 4-sub Swarm DBA system requires no equalization, bass room treatments or room correction. Just follow the sequential positioning procedure for each sub, one at a time, until all 4 have been optimally positioned in the room. Once all are positioned, there are controls on the supplied amp/control unit that that are done once and effect all 4 subs equally as a group. The controls on the amp/control unit that need to be optimally set are Volume, Crossover Frequency and Phase. I can explain in detail how best to set these but it’s not relevant right now to answer your question.
     Your scenario, attempting to optimally position and configure a 2 sub bass system requires a different procedure. Best practices calls for first using the crawl method (google it) to optimally position each of your independent subs, with independent volume, crossover frequency and phase controls existing on each sub, in relation to your listening seat for each sub sequentially. Here’s a good procedure for you to follow:

1. Set sub#1’s volume control to about 50% (12:00 on the control), the crossover frequency control to the lowest rated bass frequency your main speakers are capable of producing and the phase control to in-phase (’0").

2. Hookup sub#1 and position it at your listening seat location and play some music with good and repetitive bass at a medium volume level.

3. Starting at the front right corner of your room, begin slowly walking or crawling on your hands and knees around the perimeter of your room in a counter-clockwise direction until you find the first exact spot in your room that the bass sounds best to you (solid, smooth, fast, detailed, dynamic and natural). Once you identify this exact spot, reposition sub#1 to this position.

4. Hookup sub#2 and position it at your listening seat location and, with sub#1 playing at its new position, play some music with good and repetitive bass at a medium volume level again.


5. Starting at the new position of sub#1, continue slowly walking or crawling on your hands and knees around the perimeter of your room in a counter-clockwise direction until you find the second exact spot in your room that the bass sounds best to you (solid, smooth, fast, detailed, dynamic and natural). Once you identify this exact spot, reposition sub#2 to this position.

     At this point, both subs should be optimally positioned in your room. To verify, sit at your listening position and once again play the music with good and repetitive bass. If the bass sounds very good to you and is very well integrated with your main speakers, then the optimum positioning of both subs in your room has been verified. If not, you’ll need to repeat this procedure starting with step #1.

     Once both subs have been verified to be positioned optimally in your room, this very good bass response performance in your room can be even further improved, or fine tuned, by optimally setting the Volume, Crossover Frequency and Phase controls on each of your subs individually.
To perform this bass fine tuning in your room you have 2 options:

Option#1- Do it manually by ear and to your preference by recruiting an assistant; with you sitting at your listening seat and music with good and repetitive bass again playing, the assistant can adjust the 3 available controls (volume, crossover frequency and phase) one control and sub at a time at your direction until you’re completely satisfied with the results.

Option#2- Do it automatically by running the room correction function on your subs one at a time and individually.

     For best results, I recommend performing both options and utilizing the resultant control settings that you think performs best. Based on personal experience with different brands of subs than yours, I’m virtually certain each option will result in different combinations of settings and one option will provide clearly superior results.

     If you follow my instructions above, I’m very confident you’ll be pleased with the bass performance of your 2-sub bass system in your system and room. You’ll also have the future option of adding 2 more subs of your choice and creating your own custom 4-sub DBA system that would likely equal or even surpass the near state of the art bass performance of the Audio Kinesis Swarm or Debra 4-sub DBA systems. 
     The only disadvantage of a custom 4-sub DBA is the need to set the 3 crucial sub controls (volume, crossover frequency and phase) individually for each of the 4 subs rather than once for all 4 subs as a group on the Swarm and Debra DBAs.

Hope this helped you,
Tim

davekayc:
"Most every frequency had a standing wave in a slightly different location from each other . But most landed where i had each of the rear subs. (Rear subs off )  sound right to you tim ?  Felt like i should be putting them in the obviously quiet spots . A couple spots would almost cancel out."


Hello davekayc,

     Yes, it sounds exactly right to me.  The reason there were bass standing waves, and noticeably poor bass performance at the rear of your room, was because you only had the 2 front subs launching bass soundwaves into the room if you turn off the rear 2 subs.  But this makes perfect sense to me given my understanding of the 4-sub DBA concept.
     It's important to understand that having 4 subs well distributed throughout your room and launching bass soundwaves is the key ingredient of the 4-sub DBA concept and the main reason it works so well in virtually any room.  Reaching the threshold of having 4 subs launching bass soundwaves into the room is not an option but a requirement.
     The way it really functions is a bit counter-intuitive and involves psychoacoustics.  The 4 subs actually significantly increases the number of bass modes ( spots in the room where both directed and reflected bass soundwaves meet at various angles and cause spots of bass exaggeration, attenuation and even cancellation) existing throughout the room.  However, our brains process the presence of these numerous bass modes by summing and averaging the bass information by frequency and this rather unexpectedly creates the perception that the bass is very smooth, fast, detailed and natural.  This process is referred to as psychoacoustics.
     By turning off your 2 rear subs, the overall quantity of bass modes existing in your room is significantly reduced and your brain is only summing and averaging the smaller number of bass modes existing in your room which is not sufficient to create the perception of smooth, fast, detailed and natural bass. 
     You're stating you mainly detect poor bass performance at the rear of your room with your 2 rear subs turned off.  I believe if you made a more thorough sound quality canvassing of your entire room, however, you'd likely detect poor bass performance at other specific spots in your room.
     Overall, I think you've done an excellent job of creating a high quality custom 4-sub DBA system in your very large room with seemingly little assistance.  Congratulations and enjoy.
     I'm achieving the same excellent bass quality and soundstage imaging results you described in my 23' x16' x8' room and have been enjoying it daily on both music and HT.  I think it's important that readers of this thread realize that the 4-sub DBA concept is capable of providing these excellent results in virtually any size room.  
     I feel it's also important for all to know that buying a complete Audio Kinesis Swarm or Debra 4-sub DBA system for $3,000 is convenient but not the only option, custom 4-sub DBA systems can be created using any 4 subs properly positioned and configured.  The 4 subs don't even need to be the same brand or model and individuals can buy the same 1K watt Dayton amp from Parts Express (usually for about $300-$500) and build 4 DIY subs if they'd like.

Later,