Hear my Cartridges....šŸŽ¶


Many Forums have a 'Show your Turntables' Thread or 'Show your Cartridges' Thread but that's just 'eye-candy'.... These days, it's possible to see and HEAR your turntables/arms and cartridges via YouTube videos.
Peter Breuninger does it on his AV Showrooms Site and Michael Fremer does it with high-res digital files made from his analogue front ends.
Now Fremer claims that the 'sound' on his high-res digital files captures the complex, ephemeral nuances and differences that he hears directly from the analogue equipment in his room.
That may well be....when he plays it through the rest of his high-end setup šŸ˜Ž
But when I play his files through my humble iMac speakers or even worse.....my iPad speakers.....they sound no more convincing than the YouTube videos produced by Breuninger.
Of course YouTube videos struggle to capture 'soundstage' (side to side and front to back) and obviously can't reproduce the effects of the lowest octaves out of subwoofers.....but.....they can sometimes give a reasonably accurate IMPRESSION of the overall sound of a system.

With that in mind.....see if any of you can distinguish the differences between some of my vintage (and modern) cartridges.
VICTOR X1
This cartridge is the pinnacle of the Victor MM designs and has a Shibata stylus on a beryllium cantilever. Almost impossible to find these days with its original Victor stylus assembly but if you are lucky enough to do so.....be prepared to pay over US$1000.....šŸ¤Ŗ
VICTOR 4MD-X1
This cartridge is down the ladder from the X1 but still has a Shibata stylus (don't know if the cantilever is beryllium?)
This cartridge was designed for 4-Channel reproduction and so has a wide frequency response 10Hz-60KHz.
Easier to find than the X1 but a lot cheaper (I got this one for US$130).
AUDIO TECHNICA AT ML180 OCC
Top of the line MM cartridge from Audio Technica with Microline Stylus on Gold-Plated Boron Tube cantilever.
Expensive if you can find one....think US$1000.

I will be interested if people can hear any differences in these three vintage MM cartridges....
Then I might post some vintage MMs against vintage and MODERN LOMC cartridges.....šŸ¤—
128x128halcro
Thanks for the feedback Dover.....
Good stuff šŸ‘
I'll refrain from comment in case Frogman gives his appraisal (I hope he hasn't abandoned us?).....

I have no doubts that the ET2 is a superlative arm as I've heard nothing but praise for it from many people I trust (including you)...
It will just never find a spot in my system for various reasons...
I'm not convinced your lovely dog is a Linda Rondstadt fan though.
Au contraire mon frĆØre.....
You will notice that Princi was absent for the V15/III performance but stayed on the couch opposite my listening spot for the whole ML140HE performance.
For the Ultra 500, he started on the couch opposite me but quickly came over to join me at the best listening position.
Make of that what you will......šŸ¤—Ā 
Agree with you Dover on your Shure rankings.....
Despite Princi's preferences, the V15/III/SAS sounds more refined than the ML140HE.
Just be aware that the substitution of the SAS stylus improves the 'standard' V15/III and its ranking ahead of the 140HE would not guaranteed without stylus upgrade.
I suspect that if Shure had given the ML140HE a better designed body (more like the Ultra 500)....it could sound better than it does.
The Ultra 500 is in a different class altogether šŸ¤—
It's refinement, cohesion, transparency and detail retrieval is impressive.
No matter what I throw at it (genre-wise)....I never tire of listening to this super cartridge.
Certainly amongst the top of my MM cartridge collection.

Will be interesting to hear it against the 'King'.....the Palladian šŸ§
Henry, didnĀ“t I tell you ; ) Never got tired of listening ..... since spring 1989.
David (dlaloum) also knew it: "sounds good everywhere". Indeed.
Is your Ultra 500Ā“s stylus holder brown or grey ?
The stylus holder on mine is grey.
Is there any significance to the different colours?
Good to see new activity here. As halcro knows I have never been a big fan of Shure cartridges. While I have admired the things that they do well like the great tracking and sense of composure, in my systems they have always sounded dynamically polite and lacking natural instrumental color. I must say that I really enjoyed the sound of two of the three Shures being considered here. I may have to reconsider.

I completely agree with both your assessments of the cartridges even if I would describe what I hear somewhat differently. I listened to the V15 first and I found much to like. I liked the sound of Ronstadtā€™s voice with this cartridge a lot; for the wrong reasons, however (more on that later). But, instrumental sounds are missing high frequency content so they sound too covered. Not meaning to take liberties, but I think this may be one of the reasons that Halcro feels it sounds ā€œmore refined ā€œ than the ML140. Perhaps also why Dover refers to it as ā€œcoloredā€. When missing highs instrumental sounds tend to sound more ā€œfull bodiedā€. The ML140, as Dover says, sounds clangy. There is an uneven emphasis of the upper mids/lower highs range that causes the piano and vibes to sound glangy. What I meant by ā€œI liked it for the wrong reasonsā€ is that I think that because of its reticence in the highs the V15 hides the effects on the high frequencies of the way the vocals were recorded. I would bet that they used the Aphex Aural Exciter on the vocals. It is commonly used on pop vocals and it has a distinctive sonic signature; like a high frequency halo that rides on top of the vocals. I find it annoying as it adds what to my ears is an unnatural harshness.

https://en.m.wikipedia.org/wiki/Exciter_(effect)

I think that the V15 masks those high frequency artifacts and the ML140 lays them bare and perhaps exaggerates them. I think this lets the V15 sound more refined by comparison.

The Ultra 500 strikes the best balance and I agree it is the best of the three. Itā€™s tonal balance is actually closer to that of the V15 than the ML140, but not covered sounding and with more detail than the V15. Itā€™s piano sound is by far the most natural with enough body and without the clanginess. One can still hear the processing on the vocals, but not nearly as much and doesnā€™t emphasize it like the ML does. Hadnā€™t heard this record in quite a while. Ronstadt sounds great; a nice sense of honesty and sincerity in her singing.

Yes, would be great to hear the Ultra compared to the Palladian even though the Decca is ā€œKingā€ in my book.

Thanks for the fun comparison.