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What define "musicality" ? And what constitute "musicality" in audio ?


I think that "musicality" is the most important factor and attribute in living audio experience... The experience of "musicality" i think, cannot be reduced to subjective factors only, nor objective one...It is more easy to describe what it is not, than to describe what it is, perhaps like the experience of God in theology...But for sure if you get it, it seems the most important resultant factor of your audio grid system,you feel it and like it the most...After 7 years i feel it more than ever...The urge to upgrade recess in the background because when you feel "musicality" already at a certain level, you dont believe that it is possible to push that level really higher at an affordable cost... "Musicality" for me, in my words, correlate with realistic musical timbre and voice, fluidity,no harshness at all, no fatigue, and last but not least, listening music and forgetting the sound...

This is my personal my experience, i am curious to read others about that,about their "way" and "means" to live that experience...Thanks to all...
128x128mahgister
schubert
7,386 posts
 
geoff is just trite period .
n80
2,107 posts
 
@schubert : "A rock concert is more a social event than a musical event"

A very narrow opinion and not one that can be supported with anything but a single opinion.

I’m not a classical aficionado. But I’ve been to a lot of live symphonies in good places, I’ve been to opera in Italy, been to chamber music series at Spoleto, I have friends who are phd’s in violin, piano and organ. And I’ve been to a fair share of live rock and blues shows. And I just don’t get your narrow view.

Nothing wrong with having it. But sharing it doesn’t help anything.

"How else could you get 5k people to wave their hands in unison like a
Nurnburgh rally ?"

I would be surprised if Wagner wasn’t playing AT Nuremberg. In fact, Bruckner was played during some of those rallies.





mahgister's avatar
mahgister OP
12,910 posts
 
Musical taste has nothing to do with the personal experience of "musicality" per se... Every one has his taste, and bliss is a democratic possibilities for all biological human entity... I am more than ever curious about the particular experience of "musicality" in audio by each of us...Steps,means, revelations,experiments etc ... I am even interested by what money can buy if you have no other revelation than your last purchase...But I prefer low cost inventive or creative solutions ...
fsonicsmith's avatar
fsonicsmith
938 posts
 
This time I find myself in agreement with Geoff Kait. It seems to be a weird combination of impending death, hearing loss, and refusal to admit failure when the time to start over has come and gone. I can’t count how many old geezers have smugly announced that they have finally discovered the Holy Grail and announce it was found in a yard-sale sourced 1970’s Sansui receiver, Bozak loudspeakers, and carefully tinned lampcord. These are the same guys who want us to know that after 50 years of marriage their sex lives are better than ever.
n80
2,107 posts
 
@mahgister, you asked:

"Apart of personal musical taste and education, in your own audio system what steps had make possible the experience of "musicality""

As with some others above, I’m still not convinced "musicality" is a useful term. That’s why I said in my first response:

"I think when that is the case it is easy for us to misunderstand one another and not even know it."

In this thread alone there is almost no agreement on what it is or even whether it is a system issue or a performance issue.

Heck for schubert it is any music that is at least 100 years old and performed without the aid of any 20th century technology whatsoever. ;-)

So I can’t answer the question.

I can tell you what I like about my system but I wouldn't use the term musicality or musical to do it.


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