The Future of Audio Amplification


I have recently paired an Audio Research DS225 Class D amplifier with an Audio Research tube preamplifier (SP8 mkii). I cannot believe how wonderful and lifelike my music sounds. The DS225 replaced an Audio Research SD135 Class AB amplifier. Perhaps the SD135 is just not as good as some of the better quality amps that are out there, but it got me thinking that amazingly wonderful sonance can be achieved with a tubed pre and Class D amp. I have a hunch that as more people experience this combination, it will likely catch on and become the future path of many, if not most audiophile systems. It is interesting that Audio Research has been at the forefront of this development.
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Who cares! I like class A and tubes. If class D can sound similar at a low price, low weight and save me money, I’d be a buyer. 
It will be the future. My kids will recycle my heavy old stuff to the scrap yard. 
Class A biasing is the easiest to get the most linearity from a tube/transistor. The other classes are a result of minimizing heat generation, and related detrimental effects.Throw enough time and money at a problem and it can likely be solved.The biasing class does not resolve other technical issues, like sloppy power supplies, noise generation etc. It is possible to screw up any biasing class, alone it does not solve all the issues.Measurement equipment has gotten a lot better over the years, but the dB scale does not correlate to what is important in psycho-acoustics. In the early days harmonics was easily measured, and an important and fundamental measurement in RF circuits. Here decibels works fine.The human ear generates harmonics internally and may mask the harmonics from an amplifier. Much have been said on the issue of non-linearities of sound equipment, and measurement standards have sharpened over the years. As transistor amplifiers replaced tube amps way back when, measurements for tube amp were applied, and looked OK, but sounded worse. Early transistor circuits where copies of tube circuits, with inter-stage transformers and everything. Maybe a good thing as the weak frequency response of the magnetics components may have filtered out some nasties.Then the power wars started (70's?) and FTC declared that "music power" was wrong and RMS power was the way. This lead to many wrong design decisions, as music was not the way to judge music equipment. This was stupid, as these audio amps where not intended to power light bulbs, but reproduce signal with very high peak to average ratio.Since then this has been mostly corrected or ignored.The poor consumer has been told to trust the numbers more than his ears, which has lead to generations of people not being exposed to good sound.The convenience factor is more important than sound quality. Sound does not have a "look" like TV picture, where quality judgement is plain to see.The .mp3 revolution hit the whole sound world in the groin. We are still trying to recover from this, and it will be hard.
Adding insult to injury music forms have been developed that masks the poor quality of the storage formats. Synthesized music which lacks an acoustic reality is not exactly challenging to reproduce. The loudness wars have further compressed the dynamic range and will mask low resolution storage formats. Recording studios, with "impressive" looking mixer boards, will do their best to produce a "sound" (-signature) that likely is much different than a natural performance, to sell more units. Close-miking and overdubbing may be cool, but gets tiresome. Old recordings made with very simple gear may sound better than later generation equipment.Hence the trend towards retro equipment.
There is as far as I know not any objective parametric audiophile grading standard for equipment performance.
Hence too many words.Subjective evaluation is fraught with difficulties. Listening fatigue, emotions, stress, and the like makes it hard. Music is by nature emotional, which is a trap for objectivity. Equipment can sound different but still good, so what is the verdict, fidel or no fidel?
Sound buffs may want to have a nice sound coming out of their speakers, which is opposite to what fidelity is. If the source material is crap so should the sound out of the speaker be too.
There are tons of bad music compositions topped by bad performances and bad recording techniques served up in mediocre formats. These _should_ sound bad if accurately reproduced.
Good music, with good performance, recording technology and storage format, is exceedingly rare. When was the last time the hair on your arms raised up from listening a beautiful piece of music?Seemingly most people do not care, keep listening to the junk material.
Looking at high end equipment makes me think that most of the money is spent on what meets the eye.Good sound equipment should not be super expensive. If you cannot tell how it sounds unless it is big and shiny, it is not sound reproduction that is primary. 
Congratulations if you read all this, you must be very mad by now :-)





This entire thread is about perspective. Which throne do you sit upon? I am a former bicycle racer. Which bike is best or what is the bicycle of the future? It all depends upon your perspective. Michael Green would be all about e-bikes s'far as I can tell. Again, which throne are you sitting upon? At the end of the day, we have moved light years in medicine and IT and have moved millimeters in audio technology. I own Class D in my car. It sounds good. But in my home, in my dedicated listening room, I prefer tubes. Which throne do you sit upon and what is your perspective? I don't really care, mind you, I have found what works best for me by trial and error. This Board is the silliest extreme of democracy. I enjoy it but I will protest here and there that some posts are vague, non-determinative, and sometimes, downright silly. Unlike photography in which digital has taken over most die hard film based stalwarts, audio is not going to change anytime soon. There will be SE tubes, Class AB tubes, Class A solid state, A-B solid state, and Class D and maybe more. Unlike photography, there will be no paradigm shifts in the next ten or twenty years.
My goal is to own a great representation of all class of amps . Having owned a Bryston 14bsst2 , Krell 300cx , Hypex Ncore 400 , Audio Research ref 75 , Exogal Ion , I find certain amps mate well with certain speakers . I have gone through roughly 30 pairs of speakers in the last 5 years . Each speaker brings out the best in every class of amps . No one clear cut winner for each . Does there have to be a best amplifier topology ? Have enjoyed all types . Enjoy what you got !