Good carts with SME V


Hi there
What could be the carts that match optimally with a SME V tonearm?
My SME is on a Hanss T30 player.

The match should have a resonance around 10 hz - I believe. Or no lower than 8 hz.

Cart suggestions are appreciated, from users of the SME V especially.

I ask also since maybe "official" resonance measures are way off, compared to user experience. Please include the weight and compliance of your cart suggestion, and if possible, your resonance testing frequency. 



Ag insider logo xs@2xo_holter
Koetsu Black specs:

Description: Low-output moving-coil cartridge. Output: 0.6mV. Compliance: 10–12cu (compliance units). Channel separation: >30dB (1kHz). Cantilever: one-piece boron rod. Stylus profile: proprietary (see text). Recommended load: 5–47k ohms. Recommended downforce: 1.8–2.0gm.
Read more at https://www.stereophile.com/content/koetsu-black-mc-phono-cartridge-specifications#9tLX1eld3emSytkW....

The Koetsu Black was IME a better match with the SME V than the Koetsu Urushi which I also have owned.

I think it is a mistake to only concentrate on the mids when talking about Koetsus. They are also extraordinarily dynamic.
I have very much enjoyed the Kiseki Purple Heart with my SME IV tonearm.  Many great things have been written about this cart and my experience with it agrees with the experts.  
The only problem is I had to add spacers between tonearm and cartridge so that I could raise the tonearm high enough to clear warped LPs.  Once I got that dialed I was very satisfied.  
Prior to the Purple Heart I was using a Lyra Delos.  The Purple Heart is much better than the Delos IMO.  
Snacky - as a fellow Kiseki owner, I had the same issue with warped records.  I solved it by purchasing a couple of Vinyl Flat record flatteners.  An hour in the sun at 80 degrees F. and warped records come out pool table flat.  Great product, as is the NS Purpleheart.  My only other ‘issue’ with the Kiseki was the 80 hours it took to settle in.  Mine started out hot and required a lengthy break in before smoothing out.  
Thanks all. Yes, I am willing to listen - Koetsu, Kiseki, others.

Meanwhile here is a little home update, my Lyra Titan i.

Experimenting more with the Lyra Titan i, back in my SME V arm now that the Atlas is broken, I play Yes: Relayer, a kind of torture track test, known as very busy, dynamic record, not easy to get right.

I notice that adjustments (weight, antiskating, tonearm height) make a big difference. When they get better, what may at first sound like hardness and sibilants become less obtrusive. I had the arm quite high, turning it down ca parallel made for better mid-tone. Weight a bit up. Antiskating almost halfway down.

The Titan i does make this record sound “sharp”. But was it meant to sound that way? I think, yes. There should be some razor blade to the sound. Now that it is better adjusted, the bass performance is very tight and sounds great. The guitar of Steve Howe sounds more full, warm.




tkr - so the black could be the best Koetsu alternative in my context? Output 0.6 is fine. Which Urushi did you have? Just by looking I liked the sky blue. Not sure, which of the new more wider frequency (stone body?) Koetsus would be best match.
Oystein