What Matters and What is Nonsense


I’ve been an audiophile for approximately 50 years. In my college days, I used to hang around the factory of a very well regarded speaker manufacturer where I learned a lot from the owners. When I started with audio it was a technical hobby. You were expected to know something about electronics and acoustics. Listening was important, but understanding why something sounded good or not so good was just as important. No one in 1968 would have known what you were talking about if you said you had tweaked your system and it sounded so much better. But if you talked about constant power output with frequency, or pleasing second-order harmonic distortion versus jarring odd-order harmonics in amplification, you were part of the tribe.

Starting in the 1980s, a lot of pseudo scientific nonsense started appearing. Power cords were important. One meter interconnects made a big difference. Using a green magic marker on the edge of a CD was amazing. Putting isolation dampers under a CD transport lifted the veil on the music. Ugh. This stuff still make my eyes roll, even after all these years.

So I have decided to impart years and years of hard won knowledge to today’s hobbists who might be interested in reality. This is my list of the steps in the audio reproduction chain, and the relative importance of each step. My ranking of relative importance includes a big dose of cost/benefit ratio. At this point in the evolution of audio, I am assuming digital recording and reproduction.

Item / Importance to the sound on a scale of 1-10 / Cost benefit ratio

  • The room the recording was made in / 8 / Nothing you can do about it
  • The microphones and setup used in the recording / 8 / nothing you can do about it.
  • The equalization and mixing of the recording / 10 / Nothing you can do about it
  • The technology used for the recording (analog, digital, sample rate, etc.) / 5 / nothing you can do about it.
  • The format of the consumer recording (vinyl, CD, DSD, etc.) 44.1 - 16 really is good enough / 3 / moderate CB ratio
  • The playback device i.e. cartridge or DAC / 5 / can be a horribe CB ratio - do this almost last
  • The electronics - preamp and amp / 4 / the amount of money wasted on $5,000 preamps and amps is amazing.
  • Low leve interconnects / 2 / save your money, folks
  • Speaker cables / 3 / another place to save your money
  • Speakers / 10 / very very high cost to benefit ratio. Spend your money here.
  • Listening room / 9 / an excellent place to put your money. DSPs have revolutionized audio reproduction
In summary, buy the best speakers you can afford, and invest in something like Dirac Live or learn how to use REW and buy a MiniDSP HD to implement the filters. Almost everything else is a gross waste of money.
128x128phomchick
“interestingly when I was growing up in the UK in the 80s it was the opposite to the way you describe it. The hifi mags (apparently egged on by the then-almighty Linn) were suggesting it was wise to spend half on the source.“
This was reasonable advice back when the source was universally vinyl.  The most important parts of the audio chain are where something mechanical  changes the domain.  This happens at the microphone, the cartridge, and the speaker. You can tell that these are important and difficult transition points, because the devices at those nodes easily sound different from one another. 

Although the DAC isn’t mechanical, some would say it is as important as the phono cartridge used to be. That isn’t my opinion. I think that DACs are mature technology and above the $800 point they pretty much all sound the same, with only minor differences. 
The OP strikes me as a jealous windbag with an inflated ego who likes to assert his "superior" knowledge and experience over those who are willing to listen to his rubbish.

SB
DACs are mature technology and above the $800 point they pretty much all sound the same TO ME
ftfy
SB,

While I can see some of the arrogance in the OP in "dropping the truth" for this forum....I don't see how you can pull "jealousy" out of that post.

Also: what do you actually think is "rubbish" about his advice?
duckworp,

Whether all DACs sound the same or not (and I think many that some presume sound different may not actually be distinguishable when you don't know which you are listening to)....

...I think it's certainly defensible that DAC maturity reached a point - and quite a while ago - where one doesn't have to spend a lot of money to get accurate, high fidelity sound, hence it wouldn't make sense to rank DACs high on the scale of an important place to spend your money.
A good DAC is easy to find and not very expensive.  So concentrating money and time on, say, better speakers, room acoustics, proper amp matching etc are going to make more sense.