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Phono stage

Hello Friends
I'm close to Nirvana, re phono stages, but want a bit more juice, in the bass (SLAM), and a sweeter treble, that won"t make my ears bleed, just kidding, yes, on some recordings some recordings, it is a bit bright, I bought a used PS Audio GPH, that has helped, but still, want a phono stage, that will take me to the next level, don't let me wrong, the PS Audio, is great!!, but I think, I could do better!!, I'm on a pension, so the mega, expensive, units, is out of my my price range!!, I have searched the web!!, below is what, according, to reviews, I just need guidance!!
1. RCM Sensor
2. TW acoustics
3.Monk phono stage
4. Herron VTPH-2
5.Liberty  B2 ( I'm not sure, if a tube unit, will give me slam,)
6. Mc Tavish  design(tube)
7. Decware ZP3 (tube)
8. Nagra VPS, or BPS
Friends
What is your thoughts??
Concluding"
Bass is where I'm coming from!!, with a smooth treble, but with nice cymbels
Thanks
David
128x128daveyonthecoast
roberjerman
4,319 posts
 
For vintage tube preamps I can recommend the Bruce Moore designed Precision Fidelity C2 and C7. I owned the C7 at the same time as the PS Audio III and preferred the C7 (which is a phono stage only - with two pots for volume and a switch for 4 sources).
uberwaltz's avatar
uberwaltz
13,381 posts
 
Whatever you choose just make sure you have a good impedance match before you spend any money at all.
A poor match and it will not make any difference if the phono stage cost 10k!
You did not mention the rest of your equipment?
This may help others here better help you in your choice.
rzado
166 posts
 
Hi David,

You list some good options above (I am a fan of the Herron in particular), but it would be helpful if you provide a more specific price range, as those options are all over the map in terms of price.  However, if "bass" is really where you are coming from, I would unequivocally recommend the ASR Basis Exclusive (please note I state this as an owner of an Allnic H-3000 phono stage).

Best of luck,

Ray

moofoo
289 posts
 
+3 on the Manley Chinook. It is paired with a Soundsmith MIMC Star and ironically just yesterday I was listening and thinking how real cymbals sounded!
uberwaltz's avatar
uberwaltz
13,381 posts
 
Still need to make sure is good impedance match.
For example the Herron has a 500ohm impedance and Keith Herron himself recommeds a 100 to 1 ratio so preamp or integrated would need to be 50k ohms or close.
The real possibility with a severe mismatch is loss of bass and dynamics, something the op clearly does NOT want.

Op, can you let us know the make, model of preamp or integrated you ate using?
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