Proac Response D 48/Tannoy Kensington



I was curious if anyone has had the opportunity to compare the Proac Response D48 and Tannoy Kensington. I realize they are probably quite different but I was interested in what you all thought. I have heard the Proac's on a few different occasions and was really impressed with what I heard. Recently, someone told me I should seek out the Tannoy Kensington's before I bought anything, but that isn't easy here in the states. There are a few dealers but it would require quite an effort to hear the Tannoy's. Thought I would seek your opinions before I did anything else.
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johnluke02
I don't think the comparison between the Proac and Vandersteen is relevant this are two totally different speakers for different purposes, While the Proac is for medium size room and modest amplification can be enuog the Vanderstten are for bigger space and needs a lots of power to drive them. 
The question is what are your needs and not if the Vandersteen is better than the Proac!
randyhat, you mentioned the Proac was more in your face and etched.  Was it in a hard, shouting,  irritating way in general terms or just relative to the Vandersteen?
Hello to all. I have tannoy Kensington Gr.
Before buy i listened about 20 diferent speakers, expensive models of course.
But then i came i room with kensingtons playing , my world was turned upside down. As someone sayd its expensive cognac... with smell in room, and taste no other speaker can match.
Now about proacs, they have nice midrange, BUT bass is worst ever, its boomy, pronounced,dominant, if you listen to house or other electronic music maybe then these speakers fot to you. Kensingtons are for music listening and resting at the same time, but not for dancing, but then i paired them with pass labs xa100 monos, wow, dynamics was phenomenal, i mean IT. You can feel air moving from speakers in 5 meters :))) at the same time they managed play smooth, no sibilance and etc..
But finaly i setled with tube amplifier 300b. All cables are silver.
Ps : all spekers mostly have imaging of 1 pont between speakers. Kensingtons have 5 points. So its like siting in real opera house... my personal opinion proacs are cheap toys compared to kensington.
lowrideris, have you heard the newer Proacs?  Specifically the D48 the OP is inquiring about in comparison to the Kensington?  

Sorry my post comparing the Quatro to the D48 was not relevant to you itzhak.  I was hoping it might be relevant to the poster who had heard the D48 and was planning to listen to the Quatro.  It just so happened that I had compared two of the speakers he was interested in exactly two days before I read his post.  I just thought I would offer my impressions.  I assume he has a better understanding of his needs and preferences than I do...I was just sharing MY impressions.  BTW I don't necessarily agree with your interpretation of what each speaker's "purpose" is.  I think either could work well (and did) in the same environment with the same amplification.

k clone...my observation regarding the midrange of the Proac:  It did seem to be a little more forward but not necessarily in an objectionable way...but it did draw attention to itself.  A slightly different presentation than the Quatro...not necessarily better.  In the context of the afternoon listening to these two speakers my comments of "in your face" or "etched" probably misrepresent the nuanced and subtle differences between the speakers.  Clearly the D48 is a wonderful sounding speaker.  I wonder how differently my impressions might be if I had heard the D48 before the Quatro.  I have owned the Proac 1sc monitor in the past and have always loved the Proac sound.  Keep in mind also, even though I spent nearly 4 hours listening to these two speakers, my impressions are still initial observations with a limited selection of music.  Long term listening and a deeper exploration of my music collection might reveal different preferences.