Bryston BDA-3


  I have a lot of SACDs.  I am therefore intrigued by this Bryston DAC, claims to decode DSD from SACD over HDMI.  I can't find any reviews of the product.  Does any one have any experience with it?
mahler123
I had a BDA-1 and BDA-2 and thought they were both excellent.

Well before the BDA-3 was released I upgraded my BDA-2 to a Berkeley Audio Alpha DAC Series 2.   The Berkeley had more resolution but I actually found it a little too clean (or maybe too detailed/analytical) sounding and missed some aspects of the Bryston (a little thicker sounding with more timber).

I then swapped the Berkeley for a Simaudio 380D which I love.   Not counting its ability to play DSD (which I've tried and sounds good)  I found it a nice mix between the BDA-2 and Berkeley.   Its super musical (by far the most musical DAC I've tried) with nice resolution and a little more meat on the music than with the Berkeley.   I have no idea how it compares with the BDA-3, but it is certainly a nice choice if you find a used one.   I've also never heard the  Luxman DA-06  but based on reviews of each, I wonder if they wouldn't have a very similar sound.

Nekoaudio and ddafoe,
You appreciate that the Oppo 105d will not through-put DSD
or SADC files...failure to do so for SACD appears so some sort of copyright issue, and DSD a technical issue.  So a  streaming device is required to input un-decoded DSD files to the DAC...in this case a Luxman DA-06.  The Luxman cover plate identifies it as a DSD-capable unit.
I therefore await the arrival of a streaming device that will allow me
to employ the Luxman for decoding of DSD....in this case an Auralic
Aries.
The result should be enlightening.
Thanks neko that was interesting.  There seems to be an issue with a loud 'pop' at the end of tracks played in DSD.
Gentleman, and particularly nekoaudio,

I wish first to address sonic quality obtained with different 'outboard' DAC's, and in the following context.

The context is that I acquired a Luxman DA-06 in part due to
price and local convenience.  I had previously employed a Denon
1713UD, with Burr Brown 1795 chips.  Regarding the Denon's DAC, the sound was non-fatiguing but inferior to that obtainable with
vinyl, specifically employing the AT33sa and AT ART9 cartridges.  I replaced the Denon with an Oppo 105d, which uses the Sabre 1918 DAC chip, and noted an increase in clarity but increase in 'fatigue'.  Addition of the Luxman DA-06 as an outboard DAC eliminated the 'fatigue' experienced with the Oppo 105d's 'inboard' DAC, and achieved greater clarity than that provided by the Oppo.  The sound of CD's decoded by the Luxman and vinyl played with the AT ART9 cartridge was not not far fromequivalent...highly enjoyable, with the advantage possibly going to the 'redbook' CD's.

With regard specifically to the Oppo Sabre-based DAC and the Luxman BB 1795-based DAC, and after toggling repeatedly between these two DAC's and after now prolonged listening, it appears to me that the increased clarity of the Sabre-based DAC relative to the Denon's BB 1795-based DAC was in part fallacious, reflecting deficient harmonics surrounding most notably the high frequency sounds (eg violins).

So regarding the Bryston BDA-3, I remain intrigued as to how its sound compares with other DAC's you auditioned.  As you know, the Bryston employs an AKM 4490 DAC chip, and the Auralic employs a proprietary chip, both selling for the same price.  The new (undeniably high end) Mark Levinson 526 pre-amplifier employs a Sabre 1918 chip.  The French 'Totaldac' employs an R2R DAC, and is by one account superior to all the DAC's just mentioned save possibly the Levinson. 

Lastly, regarding the Oppo 105d, I believe that it will input and natively output DSD64 only by HDMI, and that it will 'support' DSD 128 only if audio data in that format is received via a USB-connected computer or streamer, in which case the Oppo will convert DSD 128 to PCM 24/88.2 and output if exclusively via HDMI in that form. 

As aluminum disks become obsolete and high end audio gravitates to electronic digital storage, and as the relative virtues of 'universal players' pale in comparison to those of streamers/DAC's and related processors,
I ask what role 'universal' players will have in the future, and whether DVD's, blu-ray or other', including operatic and orchestral audio-visual recordings, will equally transition to entirely electronic media,