Legacy 20/20 and Tubes


I am running ARC VT-100 mkIII and a LS-25 pre-amp. Would this combination mate well with the 20/20.
taters
Part of the issue is how much lab measurements can be trusted to tell us how a speaker will sound. No one listens to a speaker from one meter away. And playing a 1-watt signal through a highly efficient speaker such as the Focus would be louder than listening volume. And moving the lab microphone up or down a few inches could change the whole frequency plot. The Focus design is intended to sound right in a room at the listener's position. That is one rationale for the d'Appolito (MTM) array--to adapt to room reflections. So all those dips and shelfs in the frequency plot don't mean much.

But if they sound nasty (or great) in your listening room, that does matter. Maybe the difference between successful and unsuccessful experiences with Legacy speakers comes down to how much carpet and furniture there is, or how high the ceiling is?
Mcargill: The Focus doesn't use anything close to a true D'Appolito design. D'Appolito's follow a specific pattern in terms of driver sizes, spacing between drivers, crossover slopes, etc...

Having said that, i do agree that mic placement could change things pretty drastically, especially with this design. This has to do with the fact that the drivers are mounted not only vertically staggered but also horizontally too. This will produce a pretty strange and random radiation pattern that will be plagued by peaks and dips due to comb filtering. Using this type of design, the ability to localize specific imagery is also reduced.

Comb filtering takes place when you have more than one driver covering the same frequency range and they are spaced apart from each other. While bringing the drivers closer together may reduce comb filtering to a certain extent, all it really does is raise the frequency at where it will take place.

John Atkinson commented that best results would be obtained if one were sitting with their ears slightly above tweeter level. Given that the tweeters on the 20/20 are situated 45" above ground level, this may be pretty hard to achieve for most people of average height sitting on a typical chair or couch. Sean
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Sean, if people LIKE their speakers, would you please LET them? Without telling them why "technically speaking" they SHOULDN`T like them?????
Froggerz: People can like whatever they want. Given that this is an open discussion forum where different people share different points of view and exchange ideas, it would be nice to have some idea as to where someone is coming from i.e. having a point of reference to better understand their comments.

As an example, if someone says "Brand A is the best i've ever heard", yet Brand A has a very unique presentation that widely deviates from the accepted standards of neutrality, others may want to be made aware of this. On top of that, if a product fails to meet its' own published spec's, others may want to be made aware of this. If i'm wrong for pointing this out or making others aware of such facts, then i'll stop posting technical commentaries.

My thoughts were that, given that many only know what they see in these forums & glossy mags, don't know how things work on a technical level and / or how to interpret spec's, the more background that they have on a subject, the more they can form their own opinions. Given that the comments that i've made in this and other similar threads can all be verified and supported by third party sources ( published reviews & reference grade text books ), what difference do you think my comments will make in terms of someone liking / disliking what they hear?

Like i've said in the past, one should buy and use what they like and will enjoy. I'm simply offering my point of view and explaining why i look at things the way that i do. If that can help someone to better understand the why's and how's of what they like / dislike in a product, i've done everything that i've hoped to achieve. Other than that, my comments are worth whatever an individual wants to value them at. Sean
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I have read many posts' by Sean and appreciate his input.
He is obviously very experienced and knowledgable in the
high-end audio arena. One shouldn't dismiss a posting because
he/she doesn't agree with the content. I have learned not to take offense
when someone doesn't happen to like a piece of gear that I may own and love.
Audio is very subjective by nature given the multitude of variables,
e.g., gear synergy, room, power, cables, ears, etc.

But on the subject of the 20/20's, the one common thread that I have read/heard over and over from experienced audiophiles is, TOO MANY DRIVERS. Another common thread amongst audio folk is,
many mag's, especially Stereophile (to which I subscribe) seems to love everything they review.
Often times, there is a piece of gear that I am interested in, but don't have a dealer in my area and have to rely on print and word of mouth. I for one, can find it very difficult to make audio decisions when everything in the mag's is great.

To reiterate, when I read the rave review in Sphile on the 20/20, I said, "I gotta have 'em"!
Thank goodness I had a dealer in my area that (reluctantly) let me do an in home demo for two weeks with the 20/20. Which allowed me to find out that I didn't like them, without spending/losing a lot of my hard earned cash. I would have been absolutely livid had I bought a pair of these just based on that review.

More to the point: I have found that I can put more credence behind what I read in the forum section here than most of the mag's in regards to a particular piece. I have made many good decisions doing my "homework" here.

Audiogon is an invaluable tool to learn from, as are many who post here,
you just gotta learn how to discern who is "blowing smoke" and who is the "real McCoy".