Your opinions about KOETSU URUSHI BLUE or VERMILLION


Hi I plane to buy a new cartridge, a KOETSU URUSHI BLUE or VERMILLION. But I would like to get your opinions on what is really the diffrences with BLUE and VERMILLION , Speaking of sound of course. I listen to all kind of musique, classical, very heavy rock. My others cartridges are ZYX OMEGA and BENZ LPS, do you think that the KOETSUs will get the same bass power than my others cartridges ?
Thanx


andychris

Showing 4 responses by mulveling

I believe the Vermillion is unique in that it has half the output at 0.2mV vs. the 0.4mV of other Urushis and the non-Platinum Rosewood - due to its unique coil configuration. If you go for Vermillion I think you would be advised to pair it with a SUT of a high ratio (30x), rather than trying to push enough gain from an active MC stage.
Just be aware that “lifetime warranty” and such may not mean as much as it sounds for these basically 1-man companies run by out of shape older guys. At least the Japanese analog masters often live and work into their 90s :-P
Well the differences in Koetsu builds are always shrouded in a bit of mystery. I don’t have any experience with any Urushis or the Black, but I do have experience with the RSP and a number of stone bodies. The differences in stones like Jade vs. Onyx are pretty subtle and hard to even describe. The magnet type (Platinum vs. Alnico - I have the Alnico from an older Onyx Gold/Signature I had rebuilt) has a much bigger sonic impact. The Alnico magnet also has double the output level. The cantilever, diamond vs boron also has a much bigger sonic impact - the DC increases detail, clarity and dynamics without any obvious downside. The RSP (it has a clear lacquer, which I believe is missing from the lower Rosewood models) has less bass impact and power vs. the stone-body platinums, but the magnitude of this body difference’s impact is certainly less than that of magnet type or cantilever. And then you have the top-range Coralstone and Blue Lace stone models, which even with boron cantilevers seem to be a little "better" than the lower-ranked stones somehow, but it’s hard to say if this is due to being granted the "best" hand selected motors, and/or possibly getting slightly larger magnets (they seem a little bit higher in output, too) - no idea for sure, though.

In picking Urushis, the big choice is Vermillion vs. anything else. Again, I’d advise a proper SUT for the Vermillion (I like SUT’s with all Koetsus anyways, but that 0.2mV output will be especially tough without a SUT - and the Hashimoto HM-7 are fantastic with Koetsu, highly recommended). If you choose the non-Vermillion Urushis, just pick a look that pleases you! I think all the Urushis are beauties, and I'd love to try one someday. Probably would not be a Vermillion though, because even with a good SUT noise floor can creep in at that level.
@mijostyn 
I've run the RSP on a Fidelity Research 64fx, an FR 64S with a 20g Ikeda headshell (that's more than enough mass for anything), and a Graham Phantom II Supreme. I think the stones are better.