You're probably listening too loud


After many years of being a professional musician and spending hundreds of hours in the recording studios on both sides of the glass, I believe that most listeners undermine the pleasure of the listening experience by listening too loud and deadening their ears.

As a resident of NYC, there are a million things here that make the ears shut down, just the way pupils close up in bright light. People screaming, trucks, subways, city noise. Your ears keep closing up. Then you go home and try to listen on the hifi, but your ears are still f'kd up to get to the point. Try this experiment.

Hopefully, you can all have some degree of quiet when you can sit down and listen. Start with a record or CD of acoustic music with some inner detail and tonality. I like to use the Naim CD with Forcione and Hayden, or the piano/bass CD with Taylor/Hayden. Just simple, relaxing music. Real instruments doin' real things.

Start by sitting back and leaving the volume just a little lower than you find comfortable. Just like you want to turn it up a bit, but leave it down. Sit back and relax. I would bet that in 7-10 minutes, that "too low" volume is going to sound much louder. That's because you're ears have opened up. Now, without changing anything, that same volume is going to sound right. Step out of the room for a second, but don't talk with anybody. Just go get a glass of water and come back - now, that same volume is going to sound louder than you thought.

Sit back down and listen for a minute or two - now, just the slightest nudge of the volume control upwards will make the sound come alive - the bass will be fuller and the rest of the spectrum will be more detailed and vibrant.

Try it - every professional recording engineer knows that loud listening destroys the subtleties in your hearing. Plus, lower volumes mean no or less amplifier clipping, drivers driven within their limits and ears that are open to receive what the music has to offer.

Most of all - have fun.
chayro

Showing 6 responses by mapman

If it sounds fatiguing and is not normally, then it is probably too loud.

If its not too loud but still causes fatigue and the desire to stop listening, then there are probably things happening in the reproduction that are not desirable and things will sound better at reasonable volumes if the problems are addressed.

Obviously louder is harder on the ears in general, but I would not be prepared to make any judgements about any particular volume being inherently better sounding than another.

I would say that having a naturally quiet listening room is of clear benefit in regards to being able to listen at lower volume without distraction or other external noises infringing into the listening experience.
Shadorne,

I suspect you are quite tuned into dynamics and your system is one of the more dynamic around as a result.

I recognize compression as artificial, but I'm not sure I consider it so much fatiguing as just an unnatural annoyance.

I find I can forgive compressed dynamics if the production otherwise is good, but I certainly would not want to have to live with it regularly as an artifact of playback as opposed to the recording.
I'm not advocating compression, which is without doubt a type of distortion, but I'm just thinking that one benefit of compression is that it makes things less challenging for the ear to decode, which would result in less fatigue perhaps than otherwise.

I'm just struggling to think of compression as a primary cause of fatigue. I'm thinking, all other aspects of distortion aside, that compression does result in less fatigue in general since there is less impact on the ears as a result.

Geez, I never thought I be out here defending a considered blight on good sound like compression..........
"High SPLs by the way do certainly not make for listener's fatigue, not even for female ears,"

It depends how high the SPL and the sensitivity of the individual's ears.

It is well documented on other threads here and elsewhere that prolonged exposure to very high SPLs can damage hearing. That's a lot worse than fatigue! So some degree of caution is wise.

I do agree though that it is possible to go much louder on a good system with no or little additional fatigue though.
"Audiophiles need to recognize that musical instruments are designed to convey all kinds of sounds - including stressful or unpleasant sounds and feeling - even explosions and war. Music is not purely a contest in making the most "pleasant" sound. Any system that makes everything sound pleasant is robbing you of a whole dimension to music."

That is a very true and excellent point!

Still, practically, its hard to discourage someone from going for "pleasant".

After all "pleasant" infers pleasure and who doesn't want that, even if it does infer a watering down or artificial filtering of reality in this case to achieve it?

The best situation is for your system to be able to reproduce things as realistically as possible, even producing very high SPLs when demanded, but then being able to just turn down the volume as well when needed if things still start to become unpleasant after a while.