Wilson Speakers & Reviewers


Gents;

I've been reading a lot of reviewer system lists over the years.

Why do a lot of them end up with a Wilson Speaker

They do not appear to be the most resolving.........
Or is it Peer pressure ? Or magic ?

opinions?

jeff


frozentundra

Showing 5 responses by jonnie22

There must be 150+ reviewers in U.S. and Canada. Besides Michael Fremer and Marc Mickelson, I'm not aware of *any* writer that uses Wilson. They know better....
keithahughes: Ken Kessler, writer for HiFi News, had the same for many years. And now uses stacked LS3/5A’s and it was a "revolutionary" advance for him.

It’s not just reviewers -go to any speaker thread (on the web) and you’ll see very little support for Wilson. Even on this (pro) Wilson thread, the brand is struggling.

There is better sound, if you simply seek and find out....
keithahughes: I don’t buy on opinion, I just don’t want to be odd-man out....

As someone who used to defend Wilson, I was getting knocked-down in forums. So I went on a search and came to the same conclusion as ’gpgr4blu’ above. Compared to other brands, Wilson’s freq. response was not accurate and tonal balance out of whack.

(2) others above -’mzkmxcv’ and ’tutetibiimperes’ echo these thoughts.

It seems people who like Wilson are simply not aware of other brands -like Emerald Physics, Spatial or PureAudioProject horns. Or Tekton. Or Devore O-series, or, or , or....
Yes, I was bitten, as a WP-6 owner. And as I remember (the 90s and 2000s), the back pages of Stereophile were LOADED with people selling their Wilson’s.

I reported what I heard -in line with others here, but you refuse to acknowledge that.

Yes, other opinions matter, just to make sure I’m not hearing things. With so many variables in our systems, it's the right thing to do.




Cordesman, for several years now, said that Legacy are the best speakers he’s heard. And never mentions his references, so we don’t know what he’s using.

Kramer is not U.S./Canadian based -the area (of reviewers) I was referring to. But we can add Serinus and Heilbrunn to the two I mentioned. So that’s 4 out of about 150.

But even here, were Wilson’s ever good ? Didn’t Fremer last year say the Alexx was "easily the best" they ever made ? That means all before were "easily the worse".

That means Heilbrunn, Serinus and Fremer suffered for years WITHOUT KNOWING until the Alexx !!

And that was my situation. As WP-6 owner, *I* didn’t know they were sub-par, in sound. Until I heard other systems (carefully) that opened my mind. Usually in high-end, if someone doesn’t own a brand you have, they say, "don’t own ’em. but they get good reports and (maybe) sounded good at a few shows", etc.

But Wilson is one of a few brands (in the history of high-end) to have detractors. Zu did early on too, with their deviances from tonal neutrality. But there aren’t many others.

Finally, things change. In the current ’buzz’, horns, waveguides and Tekton are hot right now. Any cone-speaker of the past -not just Wilson, are an endangered species, IMO.