Will a $700 turntable outperform a CD player?


I’m looking into getting a second source as I don’t want to be tied down to internet and a streaming service as my only source.  Will a $700 turntable and inexpensive phono preamp out perform a Cambridge CXC transport / Schiit Gungir Multibit?  
The Schiit Sol / mani preamp look enticing but I know nothing about turntables.

I used to dj and always used technics Sl1200’s and really liked them.  I can pick up a nice SL1200 mk3 used for $600...

I figure that before I start spending hundreds, possibly thousands, on cd’s or vinyl, I should be sure which format I want!

Thanks for any advice / input regarding this 😁

Best Regards,
Bruce
b_limo

Showing 6 responses by cakyol

Very unlikely. Two completely different mediums. One destroys what is being played a little bit every time and the other is contactless and digital, no audible noise and at higher sampling frequencies almost indistinguishable from the true recording.

Regardless of what everyone will claim here about turntables/vinyl, they will never reach the quietness and dynamic range of a CD or SACD. An engineering impossibility.

I have a pretty good turntable and love listening to it.  Nice to look at....  but I am also real about it as well. It is a dying technology, just like anything else when its time comes. One day, something else will come and will kill digital too. Only a matter of time......

@geoffkait
That is the WHOLE point. No matter what, music pressed on to the vinyl MUST be compressed down to 70db. It can NOT be written otherwise.
So, 144db is compressed down to 70db in the BEST case.
The bog standard CD gives you 96db dynamic range.

How does that make vinyl better than CD or 192/24 ?
The bog standard CD will give you 96db dynamic range, which is still about 25db better than even the BEST vinyl.

Reproduced from an audio engineer at Dolby laboratories:

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The state of the art digital audio, at 192kHz/24-bit, is the highest fidelity medium available to the average consumer anyway. That allows the disc itself to deliver a 144dB dynamic range and perfectly sample frequencies up to 96kHz. However, you're highly unlikely to find any analog hardware that'll reproduce that as is. But it's entirely possible to create a work that fully uses that range, as long as you're mixing digitally. You can get 192kHz/24-bit audio in 2-channels on DVD-Audio and in up to eight channels on Blu-ray disc.

Consider for a minute what 144dB of dynamic range actually means, though. If you had a stereo that could faithfully reproduce that, you wouldn't be able to hear very quiet passages unless you had the very loud passages capable of being so loud they could actually do damage to your hearing. So, for example, set the level to exactly match the dB,spl scale (sound pressure level, measured in dB). Your threshold of hearing is 0-20dB,spl depending on frequency, but over 130 db,spl or so, your ears are screaming in pain and might be permanently damaged. So this would cover the entire audible range.

LPs are increasing in popularity these days, but kind of in spite of their specs. An LP can in theory reproduce audio up to about 40kHz, but it has to be half or quarter-speed mastered for that, because otherwise, the cutting lathe would be damaged. And most turntables can't get close to reproducing that range, that's one of the things very expensive audiophile turntables give you. An LP can also only deliver about 60dB dynamic range, about 12-bits worth. Some very good pressings on very high quality vinyl might extend that to 65-70dB, but it's not even close to CD.


Ok I give up LOL....

I guess you guys have made your minds up, I will not confuse you with the facts any more :-)

teo audio

All sound studios record almost everything digitally today.  95% of the analog you think you are listening to has already been a to deed once at the microphone and dee to aed again onto the vinyl.   So even in the best analog system you have, you are already listening to digital, twice converted.  It is 21 st century guys. There are virtually no analog recording studios left anywhere.