First of all I would like to thank all of you for the wonderful comments. The reason for this post was to get clarification from you the need for the ability to reproduce frequencies beyond human hearing.
In the past some manufacturers like Pioneer tried to "reconstruct" the signal content above 20kHz by using special filters like the "Legato Link". This was done because the designers believed that the frequencies above the 20kHz (up to 40kHz) were necessary for a natural sound. This is also one of the arguments of the vinyl people. But if the mics are capable only of picking up frequencies up to 20kHz, why the need for gear that can reproduce frequencies above that (if that is already bandlimited in the first place)? In case of vinyl: I truly believe cartridges are capable of reproducing frequencies above 20kHz, but if the vinyl itself contains no frequencies above let's say 16kHz at all, what is the use for such a bandwidth?
Chris
In the past some manufacturers like Pioneer tried to "reconstruct" the signal content above 20kHz by using special filters like the "Legato Link". This was done because the designers believed that the frequencies above the 20kHz (up to 40kHz) were necessary for a natural sound. This is also one of the arguments of the vinyl people. But if the mics are capable only of picking up frequencies up to 20kHz, why the need for gear that can reproduce frequencies above that (if that is already bandlimited in the first place)? In case of vinyl: I truly believe cartridges are capable of reproducing frequencies above 20kHz, but if the vinyl itself contains no frequencies above let's say 16kHz at all, what is the use for such a bandwidth?
Chris