Why pay so much for super high end?


Most speakers costing $50,000+ use Seas, Scan Speak or Accuton.

In DIY forums most speakers designed use bargain drivers and usually are only 2.0 designs not bookshelf or center speakers to complete a surround system.

I’d love to have a Scan Speak 11 speaker system for atmos with 3 way bookshelves, center and floorstanders.

Why aren’t the designs out there and why are you guys pissing away all your money.

Personally I won’t get an upgrade from my speakers unless it’s of this caliber and neither can I afford nor want to donate money to these thieves.

A 3rd party 11 speaker atmos scan Speak system would be nice but I’m not spending $250,000.

Why on earth aren’t there designs out there for this and why do you all piss away your money?

I don’t get why hi fi isn’t all DIY even honest factory direct companies mark up 300%.

Unless you pull in $1+ million a year and don’t have any time I don’t get it.

Are you guys lazy?

Someone easily could design a great crossover and cabinets for everyone and the days of paying over $3,500 for a pair of loud speakers if you got some time or know a friend who could build cabinets would be over. I know of people who could design cabinets that rival $100,000 speakers and cost less than 1% than that.  Someone with some experience could easily design a diamond, beryllium and soft dome and various versions for various tastes.

I don’t get it. Speakers are so simple.  Crossovers cabinets and drivers.

You guys just throw your money away I don’t understand it why?


funaudiofun

Showing 9 responses by terry9

Fun, because it's supposed to be fun. Ever tried to make your own electrostatic speakers? Get the membrane tension right, get the tension uniform, keep it that way. Lots of trial and error - too much for my taste. Then there's the electronics. Too much time to save $20,000. YMMD.

Just retired from making high end watches? Then try building a good cartridge. Not for me. YMMD.

Electronics? Turntable? Different matter, but still time consuming. That's my bag. YMMD.
@bigkidz 

I absolutely agree with you about components. Every cap has a sonic signature, and so does every resistor. Active devices more so. Building the best is an expensive proposition, and few people have ever heard an amp, say, with all VAR resistors and polystyrene caps for power supply auxiliaries. But when you hear it, you don't want to go back.
MB, the only place I have heard multichannel done right is in my system. That's not bragging, because it's quite easy to do, and I'll tell you how.

Begin with a good two channel system, like ESL's. Double the Left and Right speakers, mounting them at an angle dictated by your room. Right angles are a good place to start. Right away one hears something like an MBL with clean, fast bass.

Now add two more ESL's in the back, for surround. Best is to blend the Right and Left signals, but that's not absolutely necessary. What is necessary is a volume control. Set the volume control to the highest level which cannot be discerned in the listening position. That provides the concert hall ambiance without the source confusion.

Well mbl, I don't have a performance in my music room, ever. Even a string quartet with continuo would be a little tight.

With my system, I try to simulate a concert, with the listener (me) positioned in the middle of the dress circle. That means performers in front, and reflections from the sides and back. I don't think that two speakers do that as well as six. I explained how I do it. YMMD.
davt, seldom have I heard of a more logical, compelling solution to a serious problem. I salute you.

mbl, you state, "if you have an instrument play live ..."

I think that’s the point of difference, mbl. I don’t often listen to a single instrument or any other small source of music; usually it’s a group of musicians who can be playing substantial instruments. That group extends over space. A few square inches of speaker is no substitute for 30 square feet of sound board, for example.

To reproduce this sound requires square feet of speaker, extended over some significant space.
No argument from me, DL. I am suggesting that top notch 6 channel is better than top notch 2 channel, and by that I mean the same electronics driving the same speakers.

MB, I have to say it again, twice in the same thread. "Seldom have I heard of a more logical, compelling solution". I salute you.

Douglas, I resent this. I didn't come to a technology site to defend science.