Well timstella, I would never presume to tell you or anyone else what you can hear. I can tell you that in one iteration of my life I was in fact a professional musician. Although I joke about it: How many musicians are there in a 15 piece band? Answer: 14 and a drummer. I was the drummer. Anyway I always had, and even though with age my hearing has diminished, still am blessed with pretty good hearing. If you have the opportunity, I encourage to try to listen to, and to play if possible, one of the new Clavinova pianos in comparison to either a C7 or a C9. You will be astonished. To change the subject, have you heard a demonstration of the excellent modern stringed instruments compared to the best of the traditional ones such as Stradivarius or Guarneri? To my ears the only real miss is the viola and even they are really excellent. Given the astronomical prices of the traditional ones it is a real breakthrough that such wonderful instruments being made again. And now back to pianos, sorry my mind wanders, Beethoven was limited by the piano technology available during his lifetime. It is interesting to speculate that perhaps with advances in technology perhaps a future composer will expand the possibilities of piano music yet to come.
Why not the piano as a reference for bass
I see a lot of commentary/reviews on a systems bass response that all seem to hinge on the 41 hz double bass and such range. At 27.5 the A0 note on a piano seems a better point to judge. Lots of piano in normal music vs say an organ note. I know when I feel that deep chord played it is one of things I enjoy about listening the most! Was listening to Wish you were here live and the piano was sublime.
So is it more of how much musical energy is perceived in the 40 hz range or what that makes this more of a reproduction benchmark?
I welcome your input!
New Joe Bonamassa out BTW!
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- 86 posts total
- 86 posts total