Why no Danley fever?

These are pro or live-sound speakers. Extremely few audiophiles are open-minded enough to even consider them for their home use. However, a very small number of lucky music lovers who have discovered them and took time to understand the design theory and have studied the verified 3rd party performance specs (try to get that from audiophile loudspeaker manufacturers!)behind these synergy horns are richly rewarded beyond their wildest dreams with these very reasonably priced products!! They can easily compete with "audiophile" speakers costing 10 times or more. There are some in-depth subjective comments in several forums, look for them and prepare to be surprised.

Johny_1 is correct - these are pro-audio speakers. However, as remarkable as they are - and they are very good for the genre and much better than the vast majority of "pro audio" equipment (most of which sounds horrible), they are no match for any decent home equipment. Pro-audio has entirely different requirements:
ability to play at very loud volumes without strain (i.e. fill a performing arts center or a stadium)
high efficiency
reasonable weight so they can be setup and taken down for shows (plywood cabinets that aren't too thick (lots of cabinet vibration)
reasonable cost or no sound contractors will spec them - simple black paint, fly points, very simple crossovers.

Yes - I actually do have plenty of real experience in pro-audio and in home audio. If you want the ability to play 120 db in your home, Danley is a far better choice than most other pro audio gear. If you want to hear resolution, accuracy and balance at something less than saturn rocket levels then most any decent audiophile speaker will handily outperform because the design considerations are completely different.
Peace

mgrif,
Couldn't disagree more. I've recently been running some speakers built on the Synergy design in my home system and can report they do things for home audio that nothing I've heard approaches (that includes very good ESLs, ribbons, cones from Vandersteen to Wilson, and exotic horns). They do not sound like speakers, they are hard to locate in the room by sound alone, can have an immense sweet spot when properly positioned, they have a unified solid sound that is hard to describe, they have resolution that can make you shake your head in disbelief. I don't see most even way-above-decent audiophile speakers even being evem in the same league, and would suggest anyone listen to a Synergy setup in a home setup before making any judgement.

Sadly, there aren't a lot of setups like that, as Danley doesn't promote to the home market (audiophiles are too high-maintenance types to support and tend to be more influenced by cosmetics than the pro world), but that may be changing as more people actually hear these. In many ways the ultrawideband fullrange point-source horn is more of an advantage for the home (which doesn't need the high SPL levels) than in the large venues (which aren't as concerned with closeup listening). If you get a chance, go have a listen. I've not heard of anyone who did not being impressed.