Why Does A Concrete Floor/Spiked Metal Rack...


suck all the warmth and life out of my system?

I have been thoroughly dissatisfied with my hi-fi system for the good part of a year now and I have been unable to until recently to put my finger on the problem. In a nutshell, almost every CD I would play would sound bright and harsh and bass light. The top end and upper midrange would completely overwhelm the bottom end. I have experimented with all sorts of tweaks and in particular various isolation devices, and although I was able to achieve minor changes to the tone the overall top end brightness and lack of bass was still evident.

I was enjoying (as best as I could given the problem!) a listening session and wracking my brain (for the ten millionth time) for ideas on how to make my system work better, when it suddenly dawned on me that I had these small plastic/hard rubber? cups that might be ideal to place under the rack spikes as a last ditch attempt to solve the brightness issue. With the music still playing I carefully tilted the rack enough to slip the cups under each spike on the four corners of the rack, thus de-coupling the rack from the concrete floor. They were a perfect fit and the effect was both immediate and DRAMATIC. The system was for the first time tonally balanced, the bass response increased, the sound stage widened, the noise floor dropped, there was greater depth, increased clarity, and most importantly the brightness and harshness had completely disappeared!

I was firmly of the belief that audio racks should be coupled to the floor for stability and assist with the reduction of floor vibration eminating from the floor. My rack is a rigid design composed of tubular steel and every cavity is filled with sand in order to reduce any possible ringing. The rack is supported by four large adjustable screw in spikes which penetrate the carpet and couple the rack to the concrete floor beneath. The components are supported on MDF shelving. What I discovered this weekend is that this rack/floor interface was completely sucking the life out of the system. Upper midrange and top end frequencies were being accentuated at the expense of the lower mid range and bottom end, thus producing the fatiguing brightness and harshness.

Can anybody explain to me in laymans terms why this occurs?
unhalfbricking

Showing 9 responses by theaudiotweak

You now have stored and impeded the exit of resonant energy when you added the sand to your rack..You have a conflict of mechanics within the rack itself. You say the rack is designed to couple and then you filled it with dampening material. One will work better without the other! The fill material mentioned by TWL was chosen to aid in the retreval of resonant energy, and with coupling, the noise now has a point of exit. I am a total coupler, no dampening allowed in my system..This concept is hard to accept. This concept takes much time and effort to implement. This concept I feel brings me closer to the truth of the music..Tom
Changing one thing will not eliminate the problem.Changing one thing will only mask and fail to eliminate the inherent problem. The root cause of the problem still exists. Dampening is another storage medium. Tom
I feel Stehno is correct, coupling is very revealing of the whole system. For coupling to work properly it must be carried thru the entire system..No dampening no energy storage. It is like a direct coupled amplfier no capacitive storage no blurr or smear. Hold on though when properly and totally implemented into your system coupling, will reveal all within. Then from there it can be another journey all together different.. Tom
If you were to cyro the support rods and the internal conductors and the Micro Bearing fill and the shelves and the Audiopoints you would be coupled even more closely to the music....Align the molecules. The most direct coupled high speed resonance transfer device this would surely be..Would the addition of sorbothane or rubber make it slower or faster or just totally destroy the whole high speed connection?....Tom
So you think I was kidding about the cryo'd materials for a rack. The most efficient means of energy transfer and the preservation of the musical event is what I strive for in all my components.Tom
Dekay spikes or spiked platforms have always worked for me and my friends who have dis-similar equipement but the same floor material...concrete. Because some may have a poor experience when they add a new device to their system does not mean that they added the wrong device.Could it be this new device or technology is more revealing of the existing system flaws?This has been my personal experience many times in the last few years. Yes we heard the difference but what was the cause and the effect? It is very difficult to identify the root cause. I agree it is not a perfect world or even a perfect hi-fi, we can have neither. All, any of us out there can do, is try to convey our experience as best can be described. Much may be lost in the description or in the reading. The implementation of the experience for one person can hardly be duplicated by another, especially over the net. Thank you..Tom
Trapped, internally generated electro-mechanical resonance as well as airborne resonance, loss of efficiency and no fast way out. As I see it..Tom
Some of us here have been proponents of this technology for some time now. The end results are tremendous.Nice to hear from another source..Tom
John not to mention, the guy in the other car's subs are making the cd in your car skip. Moving on bearings, air and rubber now thats not very good isolation nor is it effective coupling. When applied to audio racks its a total waste of misplaced materials. Tom