There was an article in Bass Player magazine about this. Bela Fleck and a famous bass player (I forget his name) did a recording. The article talked about how they struggled with the final mix. The bassist came from a classical background, and wanted no compression, and the microphone far away from his acoustic bass. Bela, being from a more pop/jazz background, wanted lots of compression so it would sound good on car radios.
Why don't we have DECOMPRESSORS anymore? When I was just starting out, I remember seeing in the HighEnd rooms DBX gear that was designed to restore the dynamics original to the music. Now that we're in the digital age, it should be easier to undo than ever.
Why don't we have DECOMPRESSORS anymore? When I was just starting out, I remember seeing in the HighEnd rooms DBX gear that was designed to restore the dynamics original to the music. Now that we're in the digital age, it should be easier to undo than ever.