Why do better MC cartridges cost a fortune?


I mean $5k - $10k for a piece of what? I can understand $10k for a turntable but for a tonearm or cartridge?
They charge and we gladly pay? And you have to retip or replace it soon enough. Most of them come from Japan. They sure know how to do business, don't they?
inna

Showing 3 responses by wspohn

Big deal is that the increasing number of audiophiles cannot afford anything real good new and like second rate citizens have to chase things on a 'flea' market.  

Same in just about any consumer good in a free market economy - sellers charge what they can get.  Complaining about it is like saying it isn't fair that you can't afford a Ferrari or to live in a luxury penthouse.

What irks me about high priced MCs is that it can be almost impossible to make an informed buying decision as you can rarely audition them.  Buying based on price, reputation or even review is as risky as buying a wine you haven't tasted because some git said it was over the top fantastic. Then after you bought it, it turns out that the reviewer's taste is nowhere near the same as yours.

It is hard enough when you can go and listen to a speaker or component, albeit in a different system than the one you want to put it in, but not being able to audition at all can be very expensive Russian roulette! 
Yes - very expensive exercise to buy, audition and then sell the ones you didn't like at a discount.

I tend to settle on favourites and hope never to have to replace them.  I am running only two systems now and never want to replace my Koetsu Urushi - nor am I investigating if anything else sounds even better (I'm sur something, somewhere does....).

As for Ferraris, I've owned maybe 75 cars and of those, the only one that ever appreciated significantly was a vintage Lamborghini.  Wish audio gear did as well!
Miura or early Countach?

Actually, earlier - Islero S, one of 100 made. Same engine as the Miura but in line rather than transverse (and in the case of the Miura with an integral gearbox housing).

Synchronizing 12 Weber throats was enough to drive me to drink (a short trip, I grant you).  Fortunately once done they didn't go out of whack again.