Why Aren't More Speaker Designers Building Augmented Widebanders?


Over the years I've owned a number of different speakers - KLH, Cerwin Vega, Polk, Opera Audio, Ars Aures, and Merlin VSM. One thing they all had in common was a crossover point in the 2000 hz (+ or -) range. I've read reviews of speakers where the reviewer claimed to be able to hear the crossover point, manifested as some sort of discontinuity. I've never heard that. My Merlin VSM's for example sounded completely seamless. Yet my new Bache Audio Metro 001 speakers, with a single wideband driver covering the range of 400 hz to 10,000 hz, augmented by a woofer and a super tweeter, sounds different from all of these other speakers. The midrange of the Bache 001's is cleaner, more coherent, more natural than I have heard before. Music flows from the speakers in a more relaxed manner, and subjectively dynamic range is greater, with no etch or brightness, and no loss of resolution compared with the Merlins. I have to conclude that Bache's design has an inherent advantage over more traditional designs with a crossover point or points in the midrange frequencies. I wonder why more speaker designers haven't tried this approach?
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Showing 5 responses by seanheis1

Many of the most popular designs deal with the 2k crossover challenge in different ways. You may not realize it, but you are hearing the challenges of a crossover in the presence region.

It expresses itself as a lack of coherence, which can be discovered when you hear a good speaker that is not playing with overlapping transducers or is using a very simple, low sloping crossover.

Thiel, Vandersteen, etc. deal with crossover induced phase shifts caused by woofer tweeter integration by using a first order crossover. Omega runs their widebanders without tweeter support. Spatial Audio uses compression drivers that are crossed low enough to mostly get out of the way.

The above design examples create different compromises, but how they deal with the coherence challenge is a big part of their secret sauce.    
Not many folks realize this, but you can stick a $50 wide band driver on a 48x60 inch piece of plywood (with just a hole cut for the driver) and get mind blowing good sound from a current source amp...and if you use the right driver you can get bass below 50hz that gives a smoother room response than a sealed sub.
Gee...I wonder???? Henry Kloss had a classic quote "A Two way speaker is a good way to stay out of trouble" a no crossover speaker may be even better if well executed
 Andrew Jones is quoted as saying, "The best two way speaker is a three way speaker."
Here is a widebander that I think has push and pull....push because most speaker buyers aren't thinking widebander....pull because its got good reviews, budget price and support by decware...i haven't pulled (no pun intended) the trigger yet but I've been tempted!!
I own the Betsy. Pairs nicely with SEP or SET. With my REL sub it's tough to beat. 
Another good design is the Silverline Minuet Supreme. 3.25 inch woofer crossed to the tweeter @3500hz. The little woofer can play very high and the tweeter only comes on for the highest notes, delivering the airy and delicate top end that a widebander can't. Crossed over to the sub @60hz makes for a really nice small room or desktop setup. Icing on the cake is that it's easy for a tube amp to drive.