Why Are Mono LP's So Undervalued By Most Classical Collector/Listeners?


Hi,
I listen to perhaps 30 classical and jazz records a week. It’s part of my job. I get frustrated by how most classical music buyers’ avoid mono pressings and only chase the stereo copies. Some of the mono versions I have heard have spectacular, natural-sounding sonics. Buyers could get these mono versions for a fraction of the cost of the same in stereo. Why is that?

I apologize in advance if this topic has already been covered.
voiceofvinyl

Showing 1 response by tooblue

Was just digging out mono recordings the other day to try with a new phone stage that also has a mono switch, can't wait to try them and the phone stage with another arm wand with my Dynavector DRT XV1s that I use for my mono recordings even though it is a stereo version, have used it that way every since I read an article by the DRTs creator challenging owners to try it that way and have to say that it is really good, so good I never sought out a mono cartridge for the task, also only have maybe 100 mono albums. Looking forward to listening to them this weekend. Enjoy the music