Why are low impedance speakers harder to drive than high impedance speakers


I don't understand the electrical reason for this. I look at it from a mechanical point of view. If I have a spring that is of less resistance, and push it with my hand, it takes little effort, and I am not working hard to push it. When I have a stiffer spring (higher resistance)  I have to work harder to push it. This is inversely proportional when we are looking at amplifier/speaker values.

So, when I look at a speaker with an 8 ohm rating, it is easier to drive than a speaker with a 4 ohm load. This does not make sense to me, although I know it to be true. I have yet been able to have it explained to me that makes it clear.  Can someone explain this to me in a manner that does not require an EE degree?

Thanks

128x128crazyeddy

Showing 8 responses by bdp24

Good point Ralph. It's great when ones taste in speakers and amps happens to allow a synergistic match---a tube amp with the Quad 57 ESL, for instance.

I was surprised when I learned that some choose their power amp first, then look for a speaker it can drive well. I thought the notion that speakers, being transducers, vary much more in sound that do amps was universally agreed upon, and should therefore be selected first. The notion that power amps vary in character as much or more than do speakers is one I disagree with. I feel the same way about phono cartridges (also transducers) vs. pickup arms and/or turntables, though to a lesser degree.

Excellent additional information from the always illuminating Ralph Karsten! Thanks as always. Modjeski designs his transformers and has them built to his specs (even winding them personally, for those willing to pay him to do so). Perhaps he does so in a way that takes light loading into consideration. I don’t employ it myself, needing all the power I can get for the rather insensitive 8 ohm loudspeakers I use the RM-200 with.

Excellent clarification from Al, with more specifics. No surprise there! Timbre77, you missed the important qualifying adjective of the amplifier scenario I described---"tube". As Al stated, while the power solid state amps create increases with dropping impedance, the opposite is generally true of tube amps, with the notable exception of the unique Music Reference RM-200, which actually behaves more like a ss amp in that regard.

As Al detailed, the different impedance taps on a tube amp allow the amp to provide similar power to all the taps---that's one task of tube amps output transformers. However, if your tube amp has 4, 8, and 16 ohm taps (typical in tube amps, though the RM-200 offers 2, 4, and 8 ohms), and you hook up an, say, 8 ohm speaker to the 4 ohm tap, the power available to the speaker will be less than it would be if connected to the 8 ohm tap. But, says Music References Roger Modjeski, a tube amp so employed will usually be producing not only less power, but also less distortion, and better sound. As Al mentioned, Roger calls this tactic "light loading". In addition to lower distortion, an additional benefit of using a lower impedance tap is that the amps output impedance will be lower---it will have a higher damping factor, and will interact less with the varying impedance characteristics of the speaker load, resulting in a more predictable frequency response.

Bruce Thigpen, designer and builder of the Eminent Technology LFT-8b magnetic-planar loudspeaker, states in the product’s literature that he could have made the speaker any impedance he wanted, and chose a nominal 8 ohms. The LFT-8b is a hybrid (employing a dynamic woofer below the 180Hz x/o frequency), the m-p drivers themselves being closer to a 12 ohm load. If you bi-amp the speaker, the m-p’s are a very easy load for a tube amp, being not only about 12 ohms, but also primarily resistive, not capacitive or reactive.

While a 16 ohm speaker may seem to "present an enormously easy load for virtually any power amplifier", such is not necessarily the case, as that 16 ohm rating is merely nominal. For instance, the original Quad ESL's nominal impedance was 16 ohms, but it’s impedance rose to 60 ohms at low frequencies, and fell to 1.8 ohms at high frequencies---anything but an easy load! That impedance characteristic is one reason the sound of the Quad ESL is so affected by the amp driving it, and why almost no solid state amp is a good match---it makes for overblown bass and missing highs. Ralph Karsten of Atma-Sphere has already explained this a few times.

Related to my post above, using the lowest impedance tap on a tube power amp not only usually results in the lowest distortion and best sound the amp is capable of, but the amp’s damping factor is also highest, leading to the flattest frequency response it is capable of, irrespective of speaker impedance characteristics.

In a related matter, Roger Modjeski of Music Reference recommends hooking up your speakers to a tube amp on the lowest impedance tap that provides the power you need. So if an amp puts out 45 watts at 8 ohms and 30 at 4, and 30 watts is enough for your needs (with the combination of speaker sensitivity, room size, listening level, etc.) with an 8 ohm speaker, use the 4 ohm tap for lowest power amp distortion and best sound.