Who will survive? One last table til I die.


I want to buy a final turntable (call it 25 years worth of use until I can't hear or don't care). I want to be able to get parts and have it repaired for the next quarter century. I would also like the sound quality to be near the top or upgradable to near the top for that time period. I don't necessarily require that the manufacturer be solvent that long (the preferable situation), but otherwise the parts would have to be readily available and the design such that competent independent repair shops be able to fix it. I won't spend more than $10,000 and prefer (but don't require) an easy set up that doesn't need constant tweaking. I'm willing to pay for the proper stand and isolation needed over and above the initial cost.

I've got 9,000 LPs, and it doesn't make sense to start over replacing them with CD/SACDs (although I have decent digital equipment) even if I could find and afford replacements. Presently I have a CAT SL-1 III preamp and JL-2 amp, Wilson speakers, Sota Cosmos table, SME IV arm, and Koetsu/Lyra Clavis/AQ7000nsx cartridges.

Thanks in advance for your input. Steve
suttlaw

Showing 2 responses by teres

Uggh, this is suppose to be an analog thread, but I just can't resist countering Rauls outrageous tube amplifier comments. I have designed, built and modified a number of amplifiers, both tube and solid state. So my comments are based on actual listening experience.

Tubes and transistors are both devices that produce gain using similar concepts but with quite different characteristics. Tubes have good linearity (low distortion) but low gain. Transistors on the other hand have very poor linearity (high distortion) and very high gain.

To get around the distortion problems most tube amplifiers and all transistor amplifiers use feedback to eliminate distortion. Here I use the term distortion in a very broad sense, anything that deviates from the original signal including frequency response, noise along, harmonic and IM distortion. More feedback means lower distortion, including the "equalizer" effect that Raul mentioned. Since transistors have very high gain and it is easy to produce lots of feedback and therefore very low distortion, ruler flat frquency response, high damping factor, vanishingly small harmonic distortion, blah, blah. Tube amps on the other hand have much more limited gain and can only produce limited feedback. The result is considerably worse distortion measurments, in spite of the fact that they are lower distortion devices to start with.

But there is a significant hitch to this story. It turns out that feedback has a clearly audible negative effect on sound. To date I don't know of anyone that is able to measure this affect. It does not show up in any of the standard distortion measures. This is part of why there is so much controversy about this topic. I have a lot of first hand listening experience regarding feedback and I assert that this is both real and significant.

So like so many things audio it all boils down to compromise. Feedback brings both good and bad to the table and the optimum balance is both system and taste dependent.
In a given context and a set of personal preferences there will be an optimal balance between feedback and distortion. That optimum balance will not be the same in a different system or with different tastes. So it's never as simple as choice between feedback or no feedback or for that matter tubes or transistors.

The goal for good amplifier design is the lowest possible distortion with the smallest amount of feedback. That means that the amplifier needs to have the lowest possible open loop distortion. Open loop distortion is the level of distortion before feedback is applied. A well designed amplifier implemented with high quality components will require less feedback to arrive at a distortion goal and will therefore sound better.

So if you look at amplifiers from the perspective of levels of feedback the high feedback end of the spectrum is the exclusive domain of trasistor amplifiers. On the opposite end of the spectrum is single ended triode amplifiers with no feedback at all. Each have their strengths and weaknesses.

Personally I find that nirvana is a zero feedback amplifier. But the no feedback path is not for the faint at heart. Everything has to be perfect or you will hear it. Component quality become hugely important. Speaker choices are very limited and there are major speaker/amp synergy issues. Feedback extracts a price but it does make things a lot easier.

Chris
Raul,

Yes, I know that tubes are voltage devices. Bipolar transistors are current devices and mosfet transistors are voltage devices like tubes. Yes the theory of operation is different but the application is still very similar. You use a small current or voltage to control a larger voltage or current. And though bipolar and mosfet transistors operate on different principles they end up sounding much the same. And neither has linearity that is even close to that of a vacuum tube. This is all quite irrelevant to this discussion.

The topic of complementary devices is another red herring. It just makes it easy to implement a push-pull topology without using a transformer or coupling capacitor. The push pull topology does cancel distortions but also has it's own set of advantages and disadvantages. Push pull is widely used with both tube and transistor equipment so it has nothing to do with the topic at hand.

You are really in the weeds when you imply that non-feedback is practically gospel. Please name a single commercial transistor amplifier that uses no global feedback. For that matter name a single non-triode tube amp with no feedback. Reduced feedback is an often cited goal but with the vast majority of amplifiers the sound would sound awful without any feedback.

The intent of my post was to counter your outrageous assertion that tube amplifiers are frequency equalizers and therefore unsuitable. You countered with a number of irrelevant facts (some of which were also wrong) but never came back with any justification for your position. If you are going to make sweeping authoritative statements then I suggest that you be ready to defend them.

Personally I love the sound of tubes and in particular single ended triodes with no feedback. So does that give me license to say that transistor amps suck? Or that anyone that likes transistor amps is uninformed and/or can't hear? I have plenty of tolerance and even appreciation for people that have different preferences and views. But my tolerance for those that impose their views on others is pretty thin.

Chris