Who says studio monitors are "cold and analytical"?


Who says studio monitors are "cold and analytical"?  Does that mean audiophile speakers are warm/colored and distorted?   If Studio Monitors main goal is low distortion, does that mean low distortion is not something audiophiles want?  They want what, high distortion?  "Pretty" sounding distortion?  Or find pretty sounding speakers that make bad recordings sound really good?  What is the point of searching out good recordings then?  They won't sound as intended on a highly colored distorted speaker!   

lonemountain

Showing 2 responses by jallan

I have ATC SCM7’s second generation, new ATC SCM40’s, and still have ATC SCM35’s. The latter replace biamped Dahlquist DQ10’s with double subwoofers. I have listened to numerous other ATC models, both in the professional and consumer lines, some amplified versions.

I have never heard them sound as Kenjit describes with good source material. Never. I have heard lots of speakers sound cold and hard, though I won’t name any to avoid flame wars.

I do understand what Kenjit is trying to get across as an idea, although it is based on misconception. 
I will also counter that the acoustic suspension of the consumer Entry series allows for easy room placement and avoids issues of room interaction with a ported design.