Who says studio monitors are "cold and analytical"?


Who says studio monitors are "cold and analytical"?  Does that mean audiophile speakers are warm/colored and distorted?   If Studio Monitors main goal is low distortion, does that mean low distortion is not something audiophiles want?  They want what, high distortion?  "Pretty" sounding distortion?  Or find pretty sounding speakers that make bad recordings sound really good?  What is the point of searching out good recordings then?  They won't sound as intended on a highly colored distorted speaker!   

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Showing 1 response by anotherbob

For a period of time my son studied audio engineering and interned at a smaller (500ish capacity) concert venue in Cleveland, Ohio.  The class was required to purchase and use the same headphones (sorry, don’t remember make/model) that measured extremely flat for their mastering projects.  They didn’t sound particularly bad, but they sounded more dull than any other explanation I can come up with.

 

The biggest takeaway from this is that once recordings were mastered, they sounded better through the same flat headphones, but they sounded great through my both open and closed back “audiophile” headphones.  Two different types of headphones because their uses were different, flat for engineering/mastering, and the “audiophile” ones for musical enjoyment.  Pretty simple.