Which subwoofer should I get?


Hi - I have the following system:

Magico A5 speakers

Gryphon Diablo 300 integrated

Merging Nadac + Player + Power DAC

Purist Audio cabling

I love my system......but I had the opportunity to use an SVS PB-2000 pro (home theater subwoofer) for a few weeks, and it really improved the overall experience.

I have the opportunity to purchase a REL Carbon Special sub (used) or purchase an SVS SB 3000 Pro. I really like the fact that the SVS subs have so many user adjustable features, and can be adjusted on the fly from an app. I've been told over and over that the sonic qualities of the REL far outweigh the advantages of the SVS subs. Would love to hear from you regarding this issue.

So, in brief, should I go for the REL, the SVS, or some other sub (if so, why?)?

Thanks - Matt

mwsl

While the discussion here seems to have morphed into a back-and-forth about REL vs SVS, in my many years attempting to tame modes in my room(s) with two very capable "air moving machines" (no brand names mentioned to avoid the resulting arguments), sometimes augmented with PEQ via a miniDSP, my suggestion is to GET A PRODUCT WITH ROOM CORRECTION, THE MORE ADVANCED THE BETTER.

Many subs can move lots of air. But integration tools (DSP PEQ) to tame room modes can make a less expensive air-mover sound magnitudes better than many very expensive air-mover that operates, more or less, open loop at the mercy of standing waves.

 

 

 

Many subs can move lots of air. But integration tools (DSP PEQ) to tame room modes can make a less expensive air-mover sound magnitudes better than many very expensive air-mover that operates, more or less, open loop at the mercy of standing waves.

@misterbobman While DSP can certainly help a lot and is very convenient, proper room placement and carefully dialing in the sub’s controls can achieve the same thing or better in taming modes/nodes (DSP can’t do anything about nodes BTW) and achieving excellent results — just takes a little research and effort, and it’s not all that hard.

"...to tame room modes", not "nodes".  Please refer, with accuracy next time, to my entry.

FYI:  https://en.wikipedia.org/wiki/Room_modes

"...equalization is part of the necessary treatment of room modes in bass. There is no escape from that, but even there, something that should be simple is sometimes compromised."  Chapter 8 in the 3rd edition Toole, F. E. (2015). “The Measurement and Calibration of Sound Reproducing Systems”, J. Audio Eng. Soc., vol. 63, pp.512-541.