Which SPEAKER for the 21ST century?


Cones vs Electrostats vs Ribbons Can we all somewhat agree that the speaker is the most important component in our system? We are all familiar with the cone driver. Has the old tech cone(mid/high) driver reached its potential zenith? Does the electrostats have the potential to become more efficient? Size less overwhelming? As well will the prices ever become reasonable? And last will the new tech(mid/high) ribbons become the choice drivers for high fidelity music reproduction for the new century? All comments are well appreciated.Thanks
tweekerman

Showing 7 responses by unsound

Tweekerman, I agree with every point you brought up. Lobing effects and the space required for driver integration are problematic. I still think the manger will still need supporting drivers and may not have as desirable dispersion characteristics as some of the alternate single source drivers. At the sake of being redundant I am hoping that (untill the ideal driver comes to being) digital cross overs fullfill thier promise.
As a good listening room does not allow for balanced distribution of sound from multi channel direct, bi or di radiating speakers. I believe that single omni-directional drivers with digital room correction will permit suround sound to actually work.
I wonder if more extended versions of the drivers (Walsh,DDD) used in the OHM and German Physics speakers would be more promising? If it weren't for the space needed for driver intergration perhaps digital cross overs with the inherent steep slopes but with out the time and phase anomalies that usually follows steep slopes might help these new drivers.
As impressive as the Manger appears I am still not convinced that a Walsh type driver wouldn't be a better starting point to developing a perfect driver. The manger appears to be able to radiate either horizontaly or verticaly, but not both. A Walsh type driver which can lend itself to more seperation from its baffle appears to be able to be a true omni-directional driver(simultaneously horizontial and verticaly). As such it would be more practical in a surround sound system where the differences from side wall and rear wall would be negated. It would free the listener from a static position. Allow more individuals a larger slice of the "sweet" spot. Have more commercial applications in amplified concerts,theatre events, dance music and even (dare I say it ) muzak.