Which songs or musical standards have haunted you?



For my entire life I've been hearing certain songs and musical tunes. These same songs and melodies have been done by countless artists. Today I decided to search the origination of this music.

"Tenderly" has probably been the most consistent tune in my life. I recall it from my high school prom.

"Tenderly" is a popular song published in 1946 with music by Walter Gross and lyrics by Jack Lawrence. Copyright 1946 by Edwin H. Morris & Company, Inc. Originally written in the key of Eb as a waltz in 3/4 time, it has since been performed in 4/4 and has subsequently become a popular jazz standard.

Early recordings were by Sarah Vaughan, who recorded the song in 1946 and had a US pop hit with it in 1947;[1] and the Brazilian crooner and pianist Dick Farney (Farnésio Dutra e Silva) who recorded the song in 1947.[citation needed] Since then, "Tenderly" has been recorded by many artists, but perhaps the best-known version was by Rosemary Clooney. Clooney's recorded version reached only #17 on the Billboard magazine pop charts in early 1952, but it is more popular than the chart data would suggest, as is evidenced by the fact that Tenderly served as the theme song for Clooney's 1956-1957 TV variety show. The song featured in the 1953 film Torch Song.

"Early Autumn" is another favorite of mine sung by "Anita O'Day"

"Early Autumn" (1949) is a song composed by Ralph Burns and Woody Herman with lyrics by Johnny Mercer. It was a hit for Woody Herman in the year it was written.

"Claire de Lune" is one of the most beautiful melodies I've ever heard.

Suite bergamasque was first composed by Debussy around 1890, but was significantly revised just before its publication in 1905. It seems that by the time a publisher came to Debussy in order to cash in on his fame and have these pieces published, Debussy loathed the earlier piano style in which these pieces were written.[2] While it is not known how much of the Suite was written in 1890 and how much was written in 1905, we do know that Debussy changed the names of at least two of the pieces.

"Passepied" was called "Pavane", and "Clair de lune" was originally titled "Promenade Sentimentale." These names also come from Paul Verlaine's poems.[3] It is interesting, however, to note that "Promenade Sentimentale" alludes specifically to one of Verlaine's earliest collections, "Poèmes saturniens," a fact that Debussy obviously took into account when he changed the name (and most likely much of the music)[citation needed] in order to suit both his later style, and Verlaine's.

"My Funny Valentine" is a show tune from the 1937 Richard Rodgers and Lorenz Hart musical Babes in Arms in which it was introduced by former child star Mitzi Green. After being recorded by Chet Baker, Frank Sinatra, and Miles Davis, the song became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists.

"Round Midnight" appears in my collection by more artists than any other tune.

"'Round Midnight" is a 1944 jazz standard by pianist Thelonious Monk. Jazz artists Cootie Williams, Dizzy Gillespie, Art Pepper, and Miles Davis have further embellished the song, with songwriter Bernie Hanighen adding lyrics. Both Williams and Hanighen have received co-credits for their contributions.

What standards can you add to this list that have haunted you for many years?


orpheus10

Showing 9 responses by bdp24

Top this Slaw: One day in 1972 I came home and found my two dogs gone from the yard. I went to the pound (as they used to be called) every day looking for them, but no Reddy or Belle Isle (as in the Dylan song on Self Portrait). I was heartbroken. A week after they disappeared, Reddy showed up on the porch, hungry and thirsty, but alive! A week later Belle did too.

Their sudden disappearance remained a mystery for years, until the now-ex’s sister let it slip that the ex had "gotten mad" at me, driven the two dogs up to the reservoir above San Jose, pushed them out of the car, and driven away, leaving the poor little guys up in the Santa Cruz Mountains, fifteen miles from home. They had both somehow found their way back home!

I’m thankful I didn’t at the time learn what she had done---I might still be in prison for killing her, strangling the life out of her with my bare hands. I'm an extremist on animal rights---I'm in favor of the death penalty for animal abusers.

Damn goldeneraguy, that's about the worst wifely behavior I've ever heard of! Mine only took my LP's and hid them at a friends house. I had to go to her work and strangle that info out of her. Literally.
OMG, "Our Day Will Come"! The version by Ruby & The Romantics is just sublime.
Oh yeah Slaw, hearing a song from Bookends brings a 1968 rush like no other, as Parsley, Sage, Rosemary & Thyme does 1966. Very evocative. The S & G sound is very nostalgic, even when it was new.
Ooh, good one Steve! Also both "Strawberry Fields Forever" and the flip song on the 45, "Penny Lane", as well. Maybe more nostalgic than haunting, but that's close enough for me.

"Knockin' On Heavens Door" by Bob Dylan (used brilliantly in the Sam Peckinpah movie Pat Garrett & Billy The Kid).

"Whispering Pines" and "The Unfaithful Servant" by The Band (on the brown album).

The following songs (with the album the song is included on in brackets) from the most romantic of all the Rock 'n' Roll era songwriters, Brian Wilson, as recorded by The Beach Boys:

"In My Room" (Surfer Girl)

"Don't Worry Baby" (Shut Down Volume 2)

"God Only Knows" and "Caroline, no" (Pet Sounds)

"Fall Breaks And Back To Winter---W. Woodpecker Symphony" (Smiley Smile). VERY spooky.

"Here Comes The Night" (Wild Honey). A rather terrifying song.

"Our Prayer" (20/20)

"Til I Die" and "Disney Girls"---actually a Bruce Johnston song (Surfs Up)

"On Broadway" by The Drifters. "Maybe" by The Chantels (also by Dave Edmunds on his Subtle As A Flying Mallet album, which has some other haunting songs as well---see above).
"Where Or When" (written by Rodgers & Hart) as performed by Dave Edmunds on his Get It album. Dreamy. Also "Let It Be Me" (originally a hit by The Everly Brothers, and performed on Self Portrait by Bob Dylan) on his Subtle As a Flying Mallet album. Ditto.