That is an interesting dilemma. This is one of the most famous jazz recordings ever. The recording at the wrong speed is the one that made it famous. If it ain't broke don't fix it.
By fixing it they have basically slightly changed the tempi and the pitch. But people loved it the way it was.
If the "error" was never discovered, who would have really cared? It would be different if the recording originally bombed before they fixed it.
By fixing it they have basically slightly changed the tempi and the pitch. But people loved it the way it was.
If the "error" was never discovered, who would have really cared? It would be different if the recording originally bombed before they fixed it.