Where to insert the step up transformer

Hi,
let me put it this way, since I do not know if your step-up has a cable coming out from the secondary side (the one to go to the phono-pre).
The tonearm cable will go into the primary of the set-up, it would say Input and a range of Impedance numbers, such as 4 - 18ohm or so.
This cable is now less critical than with having no trannie, due to it working more on current than voltage i.e. less capacitance critical.
The secondary or Out-put (often already having an RCA cable attached) will go into your phono/phone-preamp input RCA.

If you have no out-put RCA cable comming out of the step-up (going to the phono-pre), make sure it is as low in capacitance as possible!!!!!!
The capacitance of this interconnect is 'reflected back' to the primary i.e. what the cart sees. It 'stepped-up' by the square of the winding ratio of your trannie. Example a 30dB trannie has a 1:31.6 ratio, therefore the capacitance of that cable makes your cart "see" 31.6x31.6=~1000 times the capacitance of that trannie-to-phono-pre cable!
Good luck,
Axel

Hi Cucurello,
you say:
>>> An unused Ortofon MC10 with step up transformer <<<
So, here is one more point, going with what Gregm has noted.
As he is correct in saying, that making definitive recommendations without knowing the type of SUT is not possible as such.
I have assumed it is a 'matched' SUT maybe also from Ortofon?
If not, you maybe in for some fun...
Firstly because of the step-up ratio having to meet the phono-pre's overload spec. i.e. no more than 7.5mV to be on the save side. (Most would quote 10mV, but it's better to keep it at arround 5mV)

Your MC-10 according to my info has 0.1mV output, that mates with a Ortofon T3000 with 30dB step-up = 1:31.6 ratio ---- 0.1mV x 31.6= 3.16mV which looks jolly fine.

In fact a T10 (my best guess what you may have) 32dB step-up = 1:39.9 ratio would work even better i.e. 0.1mV x 39.9 = ~ 4mv a very good phono-pre input-match.

The next issue after phono-pre input-voltage, is the impedance matching. In the case of a Ortofon T10 I guess you aught to be just fine without further ado.

If your trannie is some other item, this may, or may not be the case. In this case you'd have to look into trannie loading of either the secondary (going to the phono-pre), or more 'tricky' (a solder iron and some soldering skill is needed) primary loading (going to the tone arm/cart).
I hope that's not your case, as then it could get more 'information intensive' then you care for... :-)
Axel

Hi Almarg
I think you read this too fast...
*** The +++capacitance+++ of this interconnect is 'reflected back' to the primary

You talk now of IMPEDANCE --- I spoke of CAPACITANCE!

And as it so happens THAT works the other way round, I hope we can agree on that, and I totally agree on the IMPEDANCE point you made.
>>> ... the ***impedance*** seen looking into the primary of the transformer would be REDUCED <<< Oh yes!

I hope this is not too confusing to our audience :-)

Next, and there I TOTALLY DISAGREE!
>>> my instinct would be to have the longer set of cables on the secondary side <<<
NO WAY, since every bit of cable length on the secondary adds to unwanted CAPACITANCE, therefore, the shorter the better.
The cable between the primary and the tone-arm must be considered *differently* when using an SUT, since CURRENT has no issue with CAPACITANCE and RF as voltage with a minute current would have.
The SUT is like a short circuit (almost) to the cart, and increases current by more than 20 - 25 times in lieu of cart output voltage (some say it's a generator maintaining voltage, but let's not confuse that issue any more than needed)
It may sound counter intuitive, but capacitance = roll-off you hear, is because the C is REFLECTED back from secondary to the primary by the ratio squared.
RF noise is no issue on primary in my experience and due to the higher current as would be the case without SUT. ALL (most) current is converted to Voltage on the secondary i.e. and not to be confused with 'shunted loading' as in normal MC loading across the phono-pre's input.

Normally you'd go into a 47 000 ohm input impedance and added parallel/shunted loading of the phono-pre, with an SUT the cart going into a e.g. 32dB trannie sees a MAXIMUM of 30 ohm (the "natural impedance" based on a 47k phono-pre input impedance)! That, if now further trannie loading is added and quite easily 10 ohms, when applying secondary or primary SUT loading.

Therefore, put the lesser IC in front and the best and shortest on secondary.
Greetings,
Axel
PS: I did have had plenty time to get my XF-1 going with my PW MC cart...

Hi Cucurello,
are we still value added, not loosing you?
I hope it'd still of some use to other folks.

Almarg asked:
>> What is "reasonable" after the capacitance on the secondary side is multiplied by a factor of 1000 or so would be dependent on those cartridge parameters. <<

I give an example: 10nF is a pretty reasonable C to be used with a 'lively' MC as most Lyras, and even an Orpheus --- but NOT with a Ortofon Windfeld.
Take this C load and leave it in, when using an SUT it will become 10nF -> 10mF and it 'kills' the treble stone dead.

So that is beyond reasonable in deed. But you can see what happens if you use a capacitive IC from trannie to phono input...

Now as to the resonance frequency. As the MAIN factor needs you to know the correct inductance of the cart ---- Ortofon, and I asked them in person, never even measures it!
Also, there is the SUT --- Ortofon? Don't know, so to be practical we have to experiment.

Depending on the SUT it MAY want some damping too. In this case you'd hear some 'papery chirp' in the treble...

If so, secondary loading will be the first best thing to try.
Bearing in mind that any parallel secondary loading is reflected / by the winding ratio squared as seen by the cart and as mentioned.
Example: 30dB = 1:31.6 ratio, 47k ohm phono input with 18k ohm secondary load = 13 ohm the cart will see on primary, intead of 47 ohm. (You know the maths)

If this makes everything too dull somehow, we consider primary loading to get an impedance match. I used ~ 2.5 x DC coil resistance MC 10 = 3 ohms according http://www.cartridgedb.com/results_2.asp
so somewhere around 10 ohm, i.e. a 13 ohm resistor in case of a 30dB SUT with 'natural impedance' of 47 ohm.

OK, now we are in this territory when I said earlier Cucurello needs more information than he'd care for :-)

The last thing, is getting any resonance of the SUT combined cart sorted, by putting an RC of suitable size on secondary to shunt any resonances around >20kHz...

If Cucurello has a T10, that came with the MC 10 none of this aught to any issue at all, and that's the good news :-)

Axel

Hi,
as Dertonarm said, THE BEST is to have the trannie right inside the phono-pre ---- unfortunately most often there's not enough space unless you want to dismantle the trannie.
Of course that would give you the least capacitance issues with the out-put connection, and presumably including very good screening.

DerTonarm knows his FR products, and if you look at e.g. an FR XF-1 you know what I mean with regard to space needed.

Cheers,
Axel
PS: I now use an MM and have none of that issue either :-)

Hi Cucurello
maybe you want to have a look into the thread: "Clearaudio Stradivari " http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1245164397

I put some stuff on trannie loading and such, it may fill in some of what you are pondering about.

Also, note that Daniel's advise to have the trannie inside the phono-pre gives you an indication where it's at --- in fact it plain contradicts the notion to have the tone-arm cable to be shorter in lieu of a longer trannie to phono-pre, a proposition that I do not think to be the better one, but as always YMMV.

Good luck,
Axel