where next to go?


Loosing track now of how long I've been dabbling with computer audio... something like 12-18 months of constant experimentation and tweaking. Many problems solved but one problem just doesn't seem to resolve; to wit, the human voice on many recordings sounds grainy/raspy, like an old black and white photograph shot with fast film at the compromise of fine detail. My LP's still best digital side by side where singing comes into play.

So my question; given that this is a digital only problem in a system where PC audio betters digital disc, has anyone else experienced/resolved this with upgrading their D-A chain? Trying to decide what should I target next.. the async USB converter or the DAC?

Current D-A chain
Vlink Async USB converter (96khz version)
PS Audio Dlink III

Using JRiver player with JPlay add on (JPlay actually works!!)
PC built from scratch as music server.
All uncompressed wav files for playback.
davide256

Showing 3 responses by edorr

David, both your USB converter and DAC are not cream of the crop. You should either upgrade your USB converter (which will provide the all important clock to the DAC), or get a stellar asynchronous USB DAC.I would personally go the USB Dac route. Some of the top contenders are (bit there are many more):

Wyred4 sound DAC2
Ayre DB9
PS audio Perfectwave MKII (MKI need not apply for USB source)
Emprical Audio overdrive
Jason, here is how it works. The vast majority of DACs operate in sychronous mode on all inputs except for USB. This means the source/transport provides the masterclock, and makes sound quality highly sensitive to the quality of this clock.

There are some exceptions to this, in which the DAC buffers and reclocks ALL inputs (asynchronous DACs), most notably the PS audio perfectwave MKII in native X mode.

Since computers provide very crappy clocks, USB converters and most USB DACs are asynchronous, meaning the DAC / converter buffers and reclocks the signal.

What does this mean? Since you're only concerned with computer audio you can do two things:
1 - Get a USB converter that provides a very low jitter clock to your DLink III. You can spend between say $500 for a good (e.g. JKSPDIF Mk III ($460), to $3500 (offramp 5 + Turboclock + power supply) for a SOTA USB converter, or any amount in between (Audiophilleo 2 with Pure Power ($999), Wavelength Audio WaveLink ($900), Offramp 5 base model ($1200))

2 - Alternatively, you can get a very good USB DAC, which really is the asynchronous USB converter and DAC in one box. I listed a few options in my previous post, but these DAC run between say $1,500 for the Wyred4Sound to $4000 for the PS audio Perfectwave and Empirical Audio overdrive. The Ayre is somewhere in between.

Again, in my estimation the USB dac route is more cost effective has fewer boxes, and I suspect will give you better results than keeping the DLink III.

You can easily rotate a few USB converters through your system, since most manufacturers offer 30 day trial. If this solves your problem for $1000 or less, you could keep the Dlink III. If not, move up the food chain with a better USB DAC (some of which probably can also be had on 30 day trial).
Feeding SACD to the DlinkIII is probably DSD converted to 88/14 PCM. This is obviously not apples to apples with your Vlink source. Try playing a redbook CD with the Sony and see of voices are OK.