"Someone will say well that is not how you listen at a concert, but that
is just archaic. "
It's not archaic--it's real, it's natural. Guitarists and engineers go far out of their way to eliminate those string noises that you think you want to hear. As those noises are real and natural I'm okay with them, but if they can be reduced without otherwise diminishing the overall listening experience then I'm in favor of that. It's what we call signal-to-noise ratio.
BDP, I agree--I've been really enjoying harpsichord recordings lately, especially an old LP of Ralph Kirpatrick playing Scarlatti and a two-record box of Igor Kipnis playing assorted English pieces. The sound is frighteningly real!
It's not archaic--it's real, it's natural. Guitarists and engineers go far out of their way to eliminate those string noises that you think you want to hear. As those noises are real and natural I'm okay with them, but if they can be reduced without otherwise diminishing the overall listening experience then I'm in favor of that. It's what we call signal-to-noise ratio.
BDP, I agree--I've been really enjoying harpsichord recordings lately, especially an old LP of Ralph Kirpatrick playing Scarlatti and a two-record box of Igor Kipnis playing assorted English pieces. The sound is frighteningly real!